Tiwa Savage & Skepta – On the Low. Lyrics & Meaning
Tiwa Savage & Skepta – On the Low: The Beautiful Chaos of a Secret Romance
code
Code
download
content_copy
expand_less
Ever been stuck in that weird “what are we?” limbo? You know the one. You’re definitely more than friends, the chemistry is electric, and you spend all this time together, but it’s all happening behind closed doors. It’s a confusing, exhilarating, and sometimes frustrating rollercoaster of secret smiles and whispered plans. It feels like you’re the main characters in a movie that only the two of you know about.
If that feeling hits close to home, then Tiwa Savage and Skepta basically wrote the anthem for your situation. Their collaboration, “On the Low,” is the perfect encapsulation of this exact modern-day relationship dynamic. So, grab your headphones, because we’re about to dive deep into the story they’re telling, and trust me, it’s a masterclass in musical storytelling.
- Tiwa Savage & Skepta – On the Low: The Beautiful Chaos of a Secret Romance
- Fred again.., Skepta & PlaqueBoyMax – Victory Lap : The Unfiltered Anthem of Authenticity and Ambition
- Craig David & Tiwa Savage – Commitment: Meaning, Lyric, Quotes
Diving Deep into the Secret World of “On the Low” by Tiwa Savage & Skepta
From the very first beat, the song sets a mood. It’s smooth, it’s intimate, and it feels like a secret being shared. The track isn’t about a loud, public declaration of love. Instead, it’s about the intensity and complexity of a connection that has to exist in the shadows, away from prying eyes.
Skepta’s Grand Gesture: It’s More Than Just a Late-Night Text
The story kicks off with Skepta’s verse, and right away, we know this isn’t just some casual, low-effort fling. He’s not just sending a “u up?” text. He’s making real, significant plans. He’s fresh off tour, and his first thought is her.
Yeah, I’m off tour, we should celebrate
Dedicate some time for you, baby, it’s a date
I can’t be late, gotta regulate
‘Cause I hate dirty looks on your pretty face
Maybach, I pulled up on a shitty day
Fly out for a couple days, we should take a trip away
There’s no time like the present, we’re getting lit today
Did you catch that? He’s pulling up in a Maybach, telling her to bring a passport for a spontaneous trip. This is a grand gesture! He wants to sweep her off her feet and create a private world for just the two of them. It shows a level of investment and desire that goes way beyond a simple hookup. Yet, all this planning and effort is still happening “on the low.” It’s a big love, but it has to be a quiet one.
Tiwa’s Rules of Engagement: The Push and Pull of Secrecy
Then Tiwa comes in, and she lays down the rules of this secret game. Her pre-chorus is a perfect reflection of someone who is both drawn to the flame and keenly aware of the need for discretion. She wants this connection, but she’s also the one reminding them both to be careful.
Say you wanna link on the low
Lay between the sheets on the low
So that no one could see us on the low
Make we just creep, dip it, though
We have to stay discreet, you don’t know
And now we run the street on the low
And if they asking about we, I don’t know
That last line, “And if they asking about we, I don’t know,” is so telling. It’s the code of plausible deniability. She’s orchestrating the secrecy, protecting what they have from the outside world. It’s a mix of self-preservation and a genuine desire to keep this special thing just for themselves.
“Stop All the Fronting”: The Emotional Heart of the Matter
The chorus is where the emotional core of the song truly explodes. This is where the frustration with the whole situation bubbles to the surface. It’s a direct confrontation of the unspoken truth between them.
We turn nothing to something
And say that it’s nothing
When we both know we’re talking
It’s not up for discussion
We don’t do much discussing
So don’t act like there’s nothing
When we both know there’s something
This is the central conflict laid bare. They are building a real, tangible connection—turning “nothing to something”—but are forced to pretend it doesn’t exist. Tiwa’s plea to “Stop all the fronting” is a cry for acknowledgment. She’s tired of the charade because the feelings are too real to ignore. They both know there’s “something,” but the “no discussion” rule keeps them in this emotional purgatory.
The Sweet Pain of Being “In Too Deep”
Tiwa’s second verse beautifully illustrates the emotional toll this dynamic takes. It’s a rollercoaster of emotions. One minute he’s making her mad, the next he’s winning her back with a simple message. It’s a cycle that’s hard to break.
You know you make me vexed on the low
Boy, you make me stressed, you don’t know
Then you send me sweet texts on the low
So now me can’t leave you alone, yeah
Might be in too deep
Can’t save myself, gonna lose it
Her admission of being “in too deep” is a moment of vulnerability. She recognizes she’s losing control and can’t save herself from the intensity of her feelings. It’s a powerful and relatable confession for anyone who’s ever fallen for someone in a complicated situation. The high of the secret romance comes with the low of emotional instability.
The real beauty of this song lies in its honesty. It doesn’t just glamorize a secret affair; it explores the messy, complicated, and very human feelings that come with it. The track serves as a powerful reminder about the importance of communication and being honest with yourself and your partner. It gently nudges us to consider the emotional price of secrecy and encourages us to find the courage to define our relationships, lest we get lost in the “something” that we keep calling “nothing.”
Ultimately, “On the Low” is more than just a smooth Afrobeats track; it’s a narrative. It’s a story of passion, privacy, and the painful pleasure of a love that can only exist in the quiet moments, away from the rest of the world. But that’s just my interpretation of this incredible song. What story does it tell you? Do you see it as a romantic escape or a recipe for heartbreak? I’d love to hear what you think in the comments!