“DtMF”: What Bad Bunny’ Song Really Means

Bad Bunny – DtMF : A Nostalgic Ode to Living in the Moment

Ever find yourself scrolling deep into your phone’s gallery, looking for a picture of a specific moment, only to realize… it doesn’t exist? You remember the feeling, the laughter, the way the light hit just right, but there’s no digital proof. It’s a strange little pang of regret, a feeling of, “Man, I should’ve taken a picture.” It’s that bittersweet ache of a memory that’s crystal clear in your mind but completely missing from your camera roll. It’s the ghost of a perfect moment you wish you could revisit.

Well, what if I told you there’s a song that perfectly bottles up this exact feeling, swirls it around with a celebration of friendship, and tops it off with a potent shot of Puerto Rican pride? Get ready, because we’re diving deep into a track that does just that. Bad Bunny’s “DtMF” from his album Nadie Sabe Lo Que Va a Pasar Mañana isn’t just another song; it’s a time capsule of regret, a toast to the present, and a powerful, heartfelt reminder to cherish what you have, right now.

Unpacking the Heartfelt Regret in Bad Bunny’s ‘DtMF’

From the very first lines, Bad Bunny paints a vivid picture that feels both beautiful and tinged with sadness. He’s watching another gorgeous sunset in San Juan, a sight he knows is deeply missed by those who have left the island. There’s an immediate sense of place and a subtle melancholy. He’s enjoying these nights, but his mind keeps drifting back. Back to a specific “last time.”

A Conversation Left Unfinished

The song feels incredibly personal, almost like we’re listening to a voice memo he recorded for himself. He confesses his desire to go back in time, to look someone in the eyes and say all the things he left unsaid. “Y contarte las cosas que no te conté” (And tell you the things I didn’t tell you). It’s a universal feeling of a conversation cut short, of words caught in your throat. He even thinks about the photos he never took of this person, lamenting, “Y tirarte la’ foto’ que no te tiré.” It’s a raw admission of a missed opportunity to capture a memory, a face, a feeling.

This regret is so physical it hurts. He describes his chest as “pela’o” (raw or peeled) and his heart kicking him from the inside. He’s so desperate to reconnect that he’s ready to round up his entire crew—Roro, Julito, Cristal, and a whole list of friends—to go find this person. The mention of his friends by name adds a layer of authenticity that makes the track feel less like a performance and more like a peek into his actual life. It’s a story about longing for one person while being surrounded by the community that holds you up.

The Anthem of “I Should Have”

Then comes the chorus, the absolute heart of the song. It’s a powerful, gut-punch of a refrain that anyone who’s ever lost someone—whether to distance, a breakup, or something more permanent—can feel in their bones.

“Debí tirar más fotos de cuando te tuve
Debí darte más beso’ y abrazo’ las vece’ que pude”

This translates to, “I should’ve taken more photos when I had you / I should’ve given you more kisses and hugs the times that I could.” It’s so simple, yet so profound. The regret isn’t about grand gestures; it’s about the small, everyday acts of love and appreciation we take for granted. He follows this with a plea: “Ojalá que los mío’ nunca se muden” (I hope my people never move away). This line brilliantly expands the song’s theme from a single romantic regret to a broader fear of losing his entire support system, his friends, his family. It’s a love letter to his circle.

Lyric: "DtMF" by Bad Bunny Bad Bunny

Bad Bunny – DtMF [ENGLISH Translation]

Eh-eh, eh-eh, eh-eh, eh-eh

Another beautiful sunset I’m watching in San Juan
Enjoying all those things the people who leave miss (Miss, miss)
Enjoying those kinds of nights you just don’t get anymore (Get, get)
That you don’t get anymore (Get)
But wanting to go back to the last time
I looked you in the eyes
And tell you the things I never told you (You kinda look like my crush, haha)
And take the pictures of you that I never took (Man, I swear you look so pretty, let me take a picture)
Hey, my chest feels heavy, it really hit me hard
My heart is pounding
Tell me, baby, where are you at?
So I can pull up with Roro, Julito, Cristal
Roy, Edgar, Seba, Óscar, Dalnelly, Big J, playing the batá drums
Tonight, we’re gonna tear up the streets
And it’d be awesome if you played the güiro for me
I see your name and I can’t help but sigh
I don’t know if that’s fireworks or gunshots
My fair-skinned girl, my addiction, my everything
I’m here in PR, chillin’, but

I should’ve taken more pictures when I had you
I should’ve given you more kisses and hugs whenever I could
Hey, I hope my people never move away
And if I get drunk tonight, well, I hope they help me out
I should’ve taken more pictures when I had you
I should’ve given you more kisses and hugs whenever I could
I hope my people never move away
And if I get drunk tonight, well, I hope they help me out

Hey, today I’m gonna be with my grandpa all day, playing dominoes
If he asks if I still think about you, I’ll tell him no
That my time being close to you is over now, it’s over now
Hey, start the engines, I’m heading to Santurce
Around here, the party’s still going strong
Check out the girls, damn, mami, so sweet
Today I just wanna drink, drink, drink
And talk crap until they kick me out
I’m so wasted (I’m so wasted), I’m so wasted (I’m so wasted)
Bro, you drive, I’m even bumping into things just walking
I’m so wasted (I’m so wasted), I’m so wasted (I’m so wasted)
Let’s enjoy it, ’cause you never know if our time is running out
I should’ve taken more p—

People, I love you all so damn much, I love you
Thank you for being here, for real
It’s so important to me that you’re here
Every single one of you means so much to me
So, let’s get in for the picture, come on over
Everybody get in, the whole crew, let’s go
Let’s do it!

Bernie already has his boy and Jan has her girl
We’re not about the “movie life” and the chains anymore
We’re about the things that are actually worthwhile
Hey, for the perreo, the salsa, the bomba, and the plena
Check out how mine sounds

I should’ve taken more pictures when I had you
I should’ve given you more kisses and hugs whenever I could
I hope my people never move away
And that you send me more nudes
And if I get drunk tonight, I hope Vero helps me out

Bad Bunny – DtMF [ORIGINAL Lyric]

Eh-eh, eh-eh, eh-eh, eh-eh

Otro sunset bonito que veo en San Juan
Disfrutando de todas esas cosas que extrañan los que se van (Van, van)
Disfrutando de noche’ de esas que ya no se dan (Dan, dan)
Que ya no se dan (Dan)
Pero queriendo volver a la última vez
Y a los ojos te miré
Y contarte las cosas que no te conté (Te parece’ a mi crush, jaja)
Y tirarte la’ foto’ que no te tiré (Acho, jura’o te ves bien linda, déjame tirarte una foto)
Ey, tengo el pecho pela’o, me dio una matá’
El corazón dándome patá’
Dime, baby, ¿dónde tú está’?
Pa’ llegarle con Roro, Julito, Cristal
Roy, Edgar, Seba, Óscar, Dalnelly, Big J, tocando batá
Hoy la calle la dejamo’ ‘esbaratá
Y sería cabrón que tú me toque’ el güiro
Yo veo tu nombre y me salen suspiro’
No sé si son petardo’ o si son tiro’
Mi blanquita, perico, mi kilo
Yo estoy en PR, tranquilo, pero

Debí tirar más fotos de cuando te tuve
Debí darte más beso’ y abrazo’ las vece’ que pude
Ey, ojalá que los mío’ nunca se muden
Y si hoy me emborracho, pues que me ayuden
Debí tirar más foto’ de cuando te tuve
Debí darte más beso’ y abrazo’ las veces que pude
Ojalá que los mío’ nunca se muden
Y si hoy me emborracho, pues que me ayuden

Ey, hoy voy a estar con abuelo to’l día, jugando dominó
Si me pregunta si aún pienso en ti, yo le digo que no
Que mi estadía cerquita de ti ya se terminó, ya se terminó
Ey, que prendan la’ máquina’, voy pa’ Santurce
Aquí todavía se da caña
Chequéate las babie’, diablo, mami, qué dulce
Hoy yo quiero beber, beber, beber
Y hablar mierda hasta que me expulsen
‘Toy bien loco (‘Toy bien loco), ‘toy bien loco (‘Toy bien loco)
Cabrón, guía tú, que hasta caminando yo estoy que choco
‘Toy bien loco (‘Toy bien loco), ‘toy bien loco (‘Toy bien loco)
Vamo’ a disfrutar, que nunca se sabe si nos queda poco
Debí tirar más f—

Gente, lo’ quiero con cojone’, los amo
Gracias por estar aquí, de verdad
Para mí e’ bien importante que estén aquí
Cada uno de ustede’ significa mucho para mí
Así que, vamo’ pa’ la foto, vengan pa’cá
Métase to’l mundo, to’l corillo, vamo’
Zumba

Ya Bernie tiene el nene y Jan la nena’
Ya no estamo’ pa’ la movie’ y las cadena’
‘Tamos pa’ las cosa’ que valgan la pena
Ey, pa’l perreo, la salsa, la bomba y la plena
Chequéate la mía cómo es que suena

Debí tirar más fotos de cuando te tuve
Debí darte más besos y abrazo’ las veces que pude
Ojalá que los mío’ nunca se muden
Y que tú me envíe’ más nude’
Y si hoy me emborracho que Vero me ayude

From Regret to Resolution: A Shift in Tone

Just when you think the song is going to stay in this melancholy space, Bad Bunny switches gears. He decides to combat the sadness of the past by fully immersing himself in the present. He’s going to spend the whole day with his grandfather playing dominoes. It’s a conscious choice to create new, happy memories. When his grandpa asks if he still thinks about “her,” he lies and says no, that their time together is over. It’s a defense mechanism, a way to push forward.

This decision launches him into a celebration. He’s heading to Santurce, ready to drink and talk nonsense until they kick him out. This isn’t just reckless partying; it’s a form of catharsis. It’s him screaming, “I’m alive, and I’m going to live!” The lines “‘Toy bien loco… Vamo’ a disfrutar, que nunca se sabe si nos queda poco” (I’m really crazy… Let’s enjoy ourselves, ’cause you never know if we have little time left) serve as the song’s powerful moral. It’s the pivot from “I should have” to “I will.”

A Raw Moment of Gratitude

The song’s most touching moment is arguably the spoken-word interlude. The music softens, and it’s just Benito, talking to his friends. “Gente, lo’ quiero con cojone’, los amo” (People, I love you with all my heart, I love you). He thanks them for being there, emphasizing how much each of them means to him. This isn’t Bad Bunny the superstar; it’s Benito the friend, urging everyone to get in for a photo. After a whole song lamenting the pictures he didn’t take, this moment of him actively creating a new memory is incredibly poignant. It’s him practicing what he preaches.

He closes by reflecting on his crew’s maturity. His friends are having kids now. They’ve outgrown the flashy, superficial lifestyle. “Ya no estamo’ pa’ la movie’ y las cadena’ / ‘Tamos pa’ las cosa’ que valgan la pena,” he says. “We’re not about the movies and the chains anymore / We’re about the things that are worthwhile.” The “worthwhile things” are simple: perreo, salsa, bomba, and plena—music, dance, and community. It’s a beautiful conclusion about finding true wealth in experiences and relationships, not possessions.

Beyond the deeply personal story, “DtMF” is absolutely packed with lines that resonate on a universal level. They’re little nuggets of wisdom wrapped in a reggaeton beat. These aren’t just lyrics; they’re mantras for living a more present and appreciative life. Let’s pull out a few that are basically begging to be your new phone wallpaper.

Inspirational Quotes from ‘DtMF’ For Your Daily Reminder

Sometimes a song gives you more than a good vibe; it gives you a new perspective. Here are some of the most powerful lines from the track, what they really mean, and why they hit so hard.

The Photographer’s Regret We All Feel

Debí tirar más fotos de cuando te tuve / Debí darte más besos y abrazo’ las veces que pude

Original Spanish: Debí tirar más fotos de cuando te tuve / Debí darte más besos y abrazo’ las veces que pude
Meaning: I should’ve taken more photos when I had you / I should’ve given you more kisses and hugs the times that I could.

This is the core of the song’s emotional weight. On the surface, it’s about not having enough pictures. But digging deeper, it’s a metaphor for not being fully present. It’s about wishing you had soaked in the moments more, appreciated the small intimacies, and captured the feeling, not just the image. It’s a powerful reminder to pay attention to the people in front of you, because you never know when “the times that I could” will run out.

The Ultimate Carpe Diem Anthem

Vamo’ a disfrutar, que nunca se sabe si nos queda poco

Original Spanish: Vamo’ a disfrutar, que nunca se sabe si nos queda poco
Meaning: Let’s enjoy ourselves, because you never know if we have little time left.

If the chorus is the problem, this line is the solution. It’s the song’s turning point from looking back in sorrow to looking forward with intention. This isn’t just about partying; it’s a modern, urgent “Carpe Diem” (Seize the Day). It acknowledges the fragility of life and time, not with fear, but with a passionate call to action. It’s about making the most of right now because tomorrow is never guaranteed. It’s a command to find joy in the present moment.

Trading Flash for Fulfillment

Ya no estamo’ pa’ la movie’ y las cadena’ / ‘Tamos pa’ las cosa’ que valgan la pena

Original Spanish: Ya no estamo’ pa’ la movie’ y las cadena’ / ‘Tamos pa’ las cosa’ que valgan la pena
Meaning: We’re not about the movies and the chains anymore / We’re about the things that are worthwhile.

This quote is a beautiful testament to personal growth. “The movie and the chains” represent a lifestyle focused on image, fame, and materialism. Bad Bunny declares that he and his friends have evolved past that. Their priorities have shifted to “things that are worthwhile”—real connections, shared experiences, culture, and joy. It’s an inspiring message about defining success on your own terms and finding richness in what truly matters: the people you love and the memories you make together.

Ultimately, “DtMF” is a journey. It starts with a heavy heart, works through the pain of regret, and ends with a resounding celebration of life and friendship. It’s a reminder to put down the phone sometimes, to give that extra hug, to tell your people you love them, and to get in the picture. What do you think? Does this song bring up any specific memories for you? I’d love to hear your own interpretation of this incredible track.

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