Joey Bada$$ – THE FINALS: Meaning, Lyric, Quotes

Joey Bada$$ – THE FINALS : A Lyrical Knockout and a Lesson in Hip-Hop Hierarchy

Lyric: "THE FINALS" by Joey Bada$$ Joey Bada$$

Let’s get it
New York City (Ayo), stand up
I’m back (That’s right)
Stupid or you dumb?
(Knicks in the 6 nigga, Joey in 1)
Look

What kinda Top Dawg is you? You more Shih Tzu
You was cloned in the lab, dog, you artificial
You known for your label, not because your art official (Facts)
And I ain’t gotta talk about how broke you are to fix you
‘Cause when I send shots at you, it’d be hard to miss you (Grr)
Ain’t gotta load a magazine just to press this issue (Nah)
In fact, these ain’t even shots, they missiles (That’s right)
Tryna outclass the Bada$$? (Haha) So I gotta dismiss you (You funny)
You all bark, no bite (Uh), but hit dogs gon’ holler
Caught a couple strays, now it’s time I put ’em on a collar
I let ’em rot while I charge ’em for top dollar
You’re the next nigga gettin’ dropped off the Top roster (Facts)
And I’ma be the Reason (Yeah), okay, bet
You sick dog lookin’ for beef with a seasoned vet
I euthanize sick pups, nigga, you gon’ see (You gon’ see)
You barkin’ up the wrong tree, think you fuckin’ with me? (Nigga, you shut up)
It’s ’bout time Top let your ass off of the leash (That’s right)
Signed for five years, had your biggest moment from me (That’s sad)
Can’t nobody name a single song you ever released (That’s right)
Even “Crashout” wasn’t your original beat (Facts)
Everytime Joey dropped, you see, he eats
I did more for you than the whole of TDE (TDE, nigga)
It’s too bad, nigga, you should have been signed to me (Too bad)
Somebody tell Top we ’bout to start TD East (TD East, nigga)
Funny how they gotta use the Pro name for promo (Yeah)
On the low though, I really think you niggas is homo (Ayo)
The way you let Dot dick sit in your mouth (Ayo)
This that same dick-lickin’ I was talkin’ about (Ssh)
You niggas would do anything for the clout
Crash out over niggas who won’t even let you in they house
I bet you ain’t even got his number (You dogs)
It’s funny how the thirst is bein’ disguised as hunger
Should have sat down, been humble, but now I gotta son you
This little ray of light’ll be the biggest shine of your whole life
I don’t just flow, I talk to your soul on the mic
You don’t want smoke with me, please, just give me a light
You need me to buzz, I’m light years beyond Ray
Want me to engage, so you mentioned my fiancé?
Clearly, I ain’t scared to get in the ring (Nuh-uh)
I mean even Gervonta had to fight a couple bums just to be king (Boom-baow-bing-bing)
Fuck around, leave me no choice to slay Vaughn (Yeah)
Sugar in your tank but you ain’t no Sugar Ray, Vaughn (Hey)
Gay Vaughn, keep punchin’ up with them pillow hands
You ain’t even a middleman, you just a lil’ man
Fuck whippin’ feet, we throw hands like Rayman
You ain’t no Ray Liotta, how much you made man?
Said I wouldn’t talk about your pocket, but ayy, man (Look)
You need a optician just to see Ray bands
Go fetch a coffee for your CEO
‘Cause judgin’ by the numbers, clearly I can see he owed
Your mouth runnin’ ’cause your pockets run on low (Uh-huh)
I’m active and I’m actin’ (Yeah), yeah
And that’s somethin’ only me and Pac would know (Facts)
Play with fire, then you gon’ get burned (That’s right)
Listen and learn kid, you was better off as the intern
Better yet, a mascot (Uh-huh), I been a beast with these flows
Nigga, you can ask Dot, Killuminati Pt. 2
Yeah, that was my last shot
And it’s a difference between that and Ruler’s Back, let’s be clear (Uh-huh)
I salute you Kenny but I know you well aware (Uh-huh)
You lookin’ for some competition? Then just know that I’ll be right here

Straight like that, look (Yeah-yeah)
It’s live nigga rap
We live and direct (Grr)
(Ayy)
I’m back (Nigga, what?)
New York City, here and now reppin’ (Stay down)
With Joey Bada$$ (Uh-huh)
(East Coast, nigga)
You gotta love it, yeah
That’s right
Joey Brunson, uh
Yeah
The Finals, nigga
And you failed the test, nigga
You fuckin’ failed

Alright, so when a track drops with this much heat, you just know there’s a story behind it. “THE FINALS” isn’t just some random song; it’s a full-blown lyrical assault, a statement piece. Joey Bada$$ isn’t just rapping; he’s drawing a line in the sand, and trust me, you don’t want to be on the wrong side of it.

Decoding the Smoke: Understanding “THE FINALS” by Joey Bada$$ and Its Fiery Message

First off, this track is what we call a diss track, and it’s aimed squarely at another artist. While Joey doesn’t name-drop his primary target in a super obvious, “Hey, I’m talking to YOU, [insert full government name here]” kind of way at the very start, the clues are pretty blatant for anyone who follows the scene. He’s throwing lyrical darts, and they’re sharp! The energy is palpable; you can feel the New York grit in his delivery. He’s not just trying to win an argument; he’s aiming to dismantle his opponent’s credibility, piece by piece.

The Target in the Crosshairs: Who Ignited Joey’s Fire?

The lyrics are peppered with references that point fingers. Phrases like “What kinda Top Dawg is you?” and mentions of “TDE” (Top Dawg Entertainment) make it clear he’s addressing someone from that camp. The name “Vaughn” gets dropped multiple times, like in “leave me no choice to slay Vaughn” and “Sugar in your tank but you ain’t no Sugar Ray, Vaughn.” This is widely understood to be aimed at Isaiah Rashad, whose middle name is Vaughn, and who is, of course, signed to TDE. So, picture this: it’s like a rap battle, but instead of a stage, it’s on wax, for everyone to hear, forever. Joey’s basically saying, “You wanted attention? You got it.”

Breaking Down the Bars: Key Accusations and Lyrical Jabs

Joey goes hard on several fronts. Let’s break down some of the main points he’s hammering home:

  • Authenticity vs. Artificiality: He kicks off with “You was cloned in the lab, dog, you artificial.” This is a classic hip-hop diss, questioning the opponent’s realness and originality. He contrasts this with his own implied authenticity.
  • Lack of Impact and Recognition: Lines like “Can’t nobody name a single song you ever released” and “You known for your label, not because your art official” are brutal. He’s suggesting the target hasn’t made a genuine mark with their music and relies on the label’s clout. He even claims, “I did more for you than the whole of TDE,” implying a previous collaboration or association benefited the target more than their own label’s efforts.
  • Financial Insecurity: Joey doesn’t shy away from financial digs: “And I ain’t gotta talk about how broke you are to fix you” and “Your mouth runnin’ ’cause your pockets run on low.” This is a common tactic to undermine an opponent’s status.
  • Desperation for Clout: “You niggas would do anything for the clout” and “Funny how they gotta use the Pro name for promo” (Pro Era being Joey’s collective) suggest Joey believes the target is using his name or stirring beef just for attention.
  • Questionable Decisions: He mentions “Crashout’ wasn’t your original beat,” implying a lack of originality or perhaps some shady dealings. The reference to “Want me to engage, so you mentioned my fiancé?” suggests the opponent crossed a personal line, which really fueled Joey’s fire.

It’s like he’s building a case, presenting evidence, and delivering a verdict all in one go. He’s not just throwing punches; he’s landing calculated blows. He positions himself as the “seasoned vet” dealing with a “sick pup” who’s “barkin’ up the wrong tree.” The imagery is strong – “these ain’t even shots, they missiles.”

The Core Message and Moral of “THE FINALS”

Beyond the specific disses, what’s the bigger picture Joey’s painting? Well, it’s a fierce declaration of his own standing in the rap game and a warning to those who might underestimate him. He’s asserting his lyrical superiority, his business acumen (“Somebody tell Top we ’bout to start TD East”), and his unwavering confidence.

The “moral of the story,” if you can call it that in a diss track, is multi-layered. Firstly, it’s a stark reminder of the consequences of “punchin’ up” if you’re not prepared for the fallout. Joey frames it as “Should have sat down, been humble, but now I gotta son you.” It’s about respecting the hierarchy, or at least understanding the potential repercussions if you challenge someone established. Secondly, it champions authenticity and skill. Joey’s entire demeanor is one of self-assurance rooted in his abilities and his history. He’s basically saying, “I’ve earned my stripes, what have you done?”

The title itself, “THE FINALS,” implies a concluding chapter, a decisive end to whatever conflict was brewing. He states, “And you failed the test, nigga. You fuckin’ failed.” It’s a mic drop moment, a definitive statement that, in his eyes, the battle is over, and he’s the clear victor. He’s not just winning a round; he’s claiming the championship. The track serves as both a weapon and a trophy. It’s a raw, unfiltered expression of dominance, and honestly, it’s the kind of competitive spirit that has fueled hip-hop for decades.

Alright, so we’ve picked apart the main story and the lyrical jabs. But even in a fiery track like this, there are lines that just stick with you, right? Some bits that, taken out of context or even within it, pack a real punch of wisdom or motivation, even if they’re delivered with an edge. Let’s dig into some of those standout lines that could almost be motivational posters… if those posters were a bit more hardcore.

More Than Just Disses: Inspirational Quotes from “THE FINALS” by Joey Bada$$ That Resonate

Even though “THE FINALS” is a battle cry, Joey drops some lines that, when you really think about them, carry a broader meaning. They speak to self-belief, the power of art, and the unwritten rules of life and competition. Let’s pull out a few that really stand out.

The Echo of True Artistry

I don’t just flow, I talk to your soul on the mic

Now, this is a powerful statement. In the context of the song, he’s asserting his lyrical depth compared to his opponent. But take it wider, and it’s about the impact of genuine art. It’s not just about stringing words together or making noise; it’s about creating something that resonates deeply with people, something that connects on an emotional or spiritual level. It’s that feeling when a song, a book, or a piece of art just gets you. That’s what Joey’s aiming for, and what he believes he achieves. It’s a goal for any creative, really – to make something that truly speaks to others.

The Unavoidable Truth of Cause and Effect

Play with fire, then you gon’ get burned

This one’s a classic, an age-old adage, but it hits hard here. In the song, it’s a direct warning: if you provoke someone formidable, expect a fierce reaction. More broadly, it’s a simple but profound truth about consequences. Actions have reactions. If you take risks, especially reckless ones, or mess with things (or people) you shouldn’t, you’re likely to face negative outcomes. It’s a reminder to think before you act, to understand the potential heat you might attract. This isn’t just about rap beefs; it’s about life choices, man.

A Lesson in Humility and Knowing Your Place

Should have sat down, been humble, but now I gotta son you

Okay, the “son you” part is pure battle rap aggression, meaning to dominate or teach someone a harsh lesson like a father would a child. But the first part – “Should have sat down, been humble” – holds a universal lesson. Sometimes, it’s wiser to observe, learn, and show humility, especially when you’re newer to a scene or challenging someone with more experience. Overconfidence or arrogance without the skills or standing to back it up can lead to a serious reality check. While Joey’s delivery is a takedown, the underlying message about the value of humility, especially before you’ve truly proven yourself, is pretty solid advice, even if it’s wrapped in a diss.

The Weight of Authenticity and Reputation

You known for your label, not because your art official

This line is a sharp critique within the song, questioning whether the opponent’s recognition comes from their actual talent or just their association with a well-known entity. Beyond the diss, it raises an important point about true accomplishment versus borrowed credibility. It’s an encouragement to build your own name, your own legacy, based on your genuine skills and creations. Being “art official” – authentically artistic and recognized for that – is the real goal, rather than riding on coattails or affiliations. It’s about earning your respect through your own work, which is something we can all strive for in whatever field we’re in.

So, there you have it. “THE FINALS” is definitely a track that gets the adrenaline pumping, a masterclass in lyrical warfare from Joey Bada$$. But it’s also packed with these little nuggets that make you think. What’s your take on the song? Do you interpret these lines or others differently? Maybe some other parts hit you in a particular way? I’d love to hear your thoughts – let’s discuss!

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