Lana Del Rey – Honeymoon. Lyrics Meaning: A Dangerous and Dreamy Escape

Ever felt so wrapped up in a relationship that it feels like the two of you are living in your own private movie? You know, that bubble where the outside world just fades away, and your shared glances, inside jokes, and quiet moments become the entire plot. It’s just you and them against everything else, making up your own rules as you go. It’s a powerful, intoxicating feeling, a fantasy brought to life. Well, what if that fantasy had a darker, more dangerous edge? Lana Del Rey essentially captured that exact feeling, dipped it in vintage Hollywood tragedy, and gave us the hauntingly beautiful track, “Honeymoon.” So, let’s peel back the layers of this cinematic and unsettling masterpiece.

The Cinematic Soundscape of “Honeymoon” by Lana Del Rey

Before we even touch the lyrics, you have to appreciate the vibe of this song. From the very first notes, “Honeymoon” doesn’t sound like just a song; it feels like the opening credits to a forgotten film noir from the 1950s. The sweeping, dramatic strings and Lana’s slow, ethereal vocals create an atmosphere that’s both grand and deeply intimate. It’s a soundscape that transports you. You can almost see the grainy film, the soft focus, and a classic convertible cruising down a lonely California boulevard at dusk. It’s a perfect backdrop for the complex love story she’s about to tell.

Lyrics: "Honeymoon" by Lana Del Rey

We both know that it’s not fashionable to love me
But you don’t go ’cause, truly, there’s nobody for you but me
We could cruise to the blues
Wilshire Boulevard, if we choose
Or whatever you wanna do
We make the rules

Our honeymoon
Our honeymoon
Our honeymoon

Say you want me too
Say you want me too
Dark blue
Dark blue

We both know the history of violence that surrounds you
But I’m not scared, there’s nothing to lose now that I’ve found you
And we could cruise to the news
Pico Boulevard in your used
Little bullet car if we choose

Mr. Born-To-Lose

Our honeymoon
Our honeymoon
Our honeymoon

Say you want me too
Say you want me too
Dark blue
Dark blue

There are violets in your eyes
There are guns that blaze around you
There are roses in between my thighs and fire that surrounds you
It’s no wonder every man in town had neither fought nor found you

Everything you do is elusive, too, even your honey dew

Our honeymoon
Our honeymoon
Our honeymoon

Dreaming away your life
Dreaming away your life
Dreaming away your life

Dreaming away your life
Dreaming away your life
Dreaming away your life

Decoding the Dangerous Romance

Okay, let’s get into the heart of it. The story Lana weaves is one of a complicated, maybe even toxic, love affair that the two people inside it have decided to embrace fully.

An Unfashionable Love

She opens with a line that sets the entire stage:

We both know that it’s not fashionable to love me
But you don’t go ’cause, truly, there’s nobody for you but me
We could cruise to the blues
Wilshire Boulevard, if we choose

Right off the bat, she acknowledges that their relationship is judged by others. It’s “unfashionable,” maybe because of her reputation or his. But they’re bound together by a sense of dark destiny. The line, “there’s nobody for you but me,” isn’t just romantic; it feels a little like a trap, a beautiful prison of pendency. They aren’t just choosing each other out of pure love, but perhaps because they feel they have no other options. And what do they do? They “cruise to the blues,” meaning they’re not running from their sadness, they’re leaning into it, turning it into their own private, gloomy adventure.

Mr. Born-To-Lose

The plot thickens when she turns the focus to her partner. It’s clear he’s not your typical knight in shining armor.

We both know the history of violence that surrounds you
But I’m not scared, there’s nothing to lose now that I’ve found you
And we could cruise to the news
Pico Boulevard in your used

Little bullet car if we choose
Mr. Born-To-Lose

This is classic Lana Del Rey. She’s drawn to a man with a “history of violence.” He’s a tragic figure, a “Mr. Born-To-Lose.” But instead of running away, she runs toward him. Her declaration, “I’m not scared,” shows a kind of romantic fatalism. It’s as if her own life was so empty before him that even his dangerous world is better than nothing. The imagery of his “used little bullet car” isn’t glamorous; it’s gritty and real, solidifying the idea that their love isn’t a fairytale, but a raw, imperfect escape.

Violets, Guns, and Roses: The Poetic Heart of the Song

The bridge of this song is where the poetry truly explodes. It’s a stunning mix of soft beauty and hard violence, perfectly summarizing their dynamic.

There are violets in your eyes

There are guns that blaze around you
There are roses in between my thighs and fire that surrounds you

Just let that sink in. She sees the tenderness in him (“violets in your eyes”) right alongside the chaos he brings (“guns that blaze around you”). It’s a paradox. At the same time, she offers her own sensuality and passion (“roses in between my thighs”) while acknowledging his destructive nature (“fire that surrounds you”). This isn’t a simple love; it’s a relationship where beauty and danger are completely intertwined. They coexist, feeding off each other in this intense, enclosed world.

What Does the ‘Honeymoon’ Really Mean?

So, what is this “honeymoon” she keeps singing about? It’s obviously not a trip to the Bahamas. The honeymoon here is a state of mind. It’s their self-created bubble, an escape from judgment and the harsh realities of their lives. It’s the ultimate act of romantic escapism. But the song’s ending reveals the tragic cost of this fantasy.

Dreaming away your life
Dreaming away your life
Dreaming away your life

As the song fades out with this haunting repetition, the truth hits you. Their “honeymoon” isn’t a temporary getaway; it’s a permanent check-out from reality. They are passively watching their lives slip by, lost in a dream they’ve built together. It’s beautiful on the surface, but underneath, it’s a profound and heartbreaking tragedy. They’ve chosen their shared fantasy over actually living.

The core message here, tucked away in the melancholic melody, is a powerful cautionary tale. It highlights the incredible allure of escapism, especially within a relationship. While creating a private world with someone can feel safe and magical, “Honeymoon” reminds us of the danger when that bubble becomes a beautiful cage, preventing us from engaging with the real world, with all its flaws and triumphs.

Ultimately, “Honeymoon” is more than just a song; it’s a mood, a film, and a dark fairytale all in one. It captures the intoxicating feeling of a love that is both a sanctuary and a prison. But that’s just my interpretation after living with this song for years. What do you hear when you listen to it? Is it a story of true love against all odds, or a beautiful depiction of a tragic downfall? I’d love to hear your thoughts.

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