Breaking Down the Meaning of “Como Es” by Natanael Cano
Natanael Cano – Como Es: The Unfiltered Anthem of a Wild Romance
Ever found yourself in a connection that’s just… pure, unadulterated fire? Not the kind you build a white-picket-fence future on, but the kind that’s all about the intense, electric, right-here-right-now feeling. It’s a connection that doesn’t need labels or long-term plans because its entire purpose is to exist in the explosive present. It’s messy, it’s passionate, and it’s unapologetically real.
Well, if you could bottle that raw, hedonistic energy, it would sound exactly like Natanael Cano’s track, “Como Es”. This song isn’t just a catchy tune; it’s a visceral, front-row seat to a story of lust, luxury, and a relationship that defiantly plays by its own rules. Forget love poems and gentle serenades; this is a whole different kind of story. So, let’s dive in and unpack the layers behind the explicit lyrics and heavy bass.
Diving Deep into “Como Es” by Natanael Cano: More Than Just Words
Right from the get-go, Natanael Cano throws us directly into the deep end. There’s no gentle introduction or buildup. The song opens with a line that cuts straight through any pretense, establishing a tone of raw intimacy and immediacy. It’s blunt, direct, and sets the stage for everything that follows.
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Baby, how’s it going?
Te tengo de frente, te siento hasta el vientre, ya no hay curiosidad
I have you in front of me, I feel you down to my core, there’s no more curiosity
This isn’t your typical “how was your day?” conversation. It’s a statement. The physical connection is so overwhelming that it bypasses all the usual steps of getting to know someone. The “curiosity” is gone because they’re already operating on a purely physical and instinctual level. It’s a powerful way to say that their bond isn’t about discovery, but about the experience itself.
A Symphony of Luxury and Rebellion
One of the most striking themes in “Como Es” is the constant intertwining of passion with a high-flying, almost untouchable lifestyle. This isn’t just a story about two people; it’s a story about the world they inhabit, a world filled with opulence and a disregard for conventional rules. The lyrics paint a vivid picture of this life.
Diamante’ en los dientes, Cartier en los lentes pa’ ver cómo se va
Diamonds in the teeth, Cartier on the lenses to see how she leaves
This line is dripping with swagger. It’s not just about having expensive things; it’s about using them as a lens—literally—through which to view the world and the relationship. The luxury isn’t a backdrop; it’s an active part of their dynamic. This theme of living above the law and consequences is pushed even further:
Si el gobierno me busca, bebé, yo me monto en el jet y me pelo y no me va a encontrar
If the government looks for me, baby, I get on the jet and I’m gone and they won’t find me
Amanezco en Ibiza, la baby esterlina, cabrón, ¿qué lo que?
I wake up in Ibiza, the baby sterling, damn, what’s up?
This creates a fantasy of ultimate freedom, where money and power can solve any problem. Their relationship exists in this bubble, far from the worries of ordinary life. It adds a layer of rebellion and danger to their connection, making it even more intoxicating.
Is It a Transaction?
The chorus is probably the most talked-about part of the song, and for good reason. It’s explicit and direct, reducing their interaction to its most basic, transactional form. But in the context of the song, it feels less like a cold transaction and more like a boastful celebration of what they have.
Me la chingo rico como e-e-es
I f#ck her good like it i-i-is
La tiene espumosa como Moë-ë-ët
En ese totito gasté cie-e-en
On that p###y I spent a hundre-e-ed
Comparing her to Moët champagne is a powerful metaphor. It’s about luxury, celebration, and indulgence. The line about spending money isn’t an invoice; it’s a declaration of value. In their world, spending lavishly is a way of showing appreciation and importance. It’s a currency of affection, just as valid as any other within the rules of their specific game.
The Paradox of the Modern “Damsel”
Perhaps the most fascinating part of the song is the way the female partner is described. She is a walking contradiction, a mix of innocence and wildness, and it’s this very duality that he seems to adore. He calls her both a saint and a sinner, and it’s clear he wouldn’t have it any other way.
Yo doy todo por esa doncella
I give everything for that damsel
Blancanieves, aunque aquí no neva
Snow White, even though it doesn’t snow here
Está endemoniada como Annabella, pero es mi nena
She’s possessed like Annabelle, but she’s my girl
Calling her a “damsel” and “Snow White” is almost ironic next to the explicit descriptions of her behavior. But that’s the point. He sees her as precious because of her wild side, not in spite of it. She’s not a passive character in his story; she’s an equal participant who is just as “bellaca” (horny) and “malvada” (wicked) as he is. She wears his chains when they’re together, a symbolic act of possession and belonging within their wild world.
When you strip away the explicit language and the flashy materialism, “Como Es” tells a story about a certain kind of radical honesty. It’s about two people who understand exactly what their relationship is—and isn’t. There is no pretense, no illusion of a fairytale romance. Instead, there’s a mutual agreement to live in the moment, to embrace desire, and to celebrate a connection that is defined by its intensity rather than its longevity. It’s a powerful message about accepting and owning your desires, whatever they may be.
Ultimately, “Como Es” is an anthem for the unapologetic. It’s a snapshot of a hedonistic, passionate, and complex dynamic that thrives on its own terms. But that’s just one interpretation. What’s your take on the song? Do you see it as a celebration of freedom, a critique of materialism, or something else entirely? I’d love to hear your perspective.
