The Weeknd, Jennie & Lily Rose Depp – One Of The Girls [OST “The Idol Episode 4”]. Lyrics Meaning: A Haunting Dive into Toxic Desire

Ever felt a powerful pull towards something—or someone—you knew wasn’t exactly… healthy? That magnetic, almost dangerous attraction that blurs the lines between pleasure and pain, love and obsession? It’s a complicated, messy feeling, one that’s often kept hidden in the deepest corners of our minds. It’s the kind of dynamic that looks thrilling from the outside but is incredibly intense from within.

Well, get ready, because The Weeknd, JENNIE of BLACKPINK, and Lily-Rose Depp managed to bottle that exact feeling and set it to a hypnotic, sultry beat in their collaboration for The Idol. This song isn’t just another pop track; it’s a raw, unflinching look into a world of power, submission, and a very specific kind of fantasy. Let’s peel back the layers and figure out what’s really going on in this provocative narrative.

Unpacking the Intense Narrative of “One Of The Girls” by The Weeknd, Jennie & Lily Rose Depp

This track is essentially a story told from three different, yet intertwined, perspectives. It’s a dance between a desire to be controlled and the urge to control, creating a perfect storm of toxic intimacy. It’s less about love and more about fulfilling a very specific, dark need.

The Plea for Surrender: Lily-Rose Depp’s Perspective

The song opens with Lily-Rose Depp’s airy, almost desperate vocals. Right off the bat, she sets a chilling scene. She’s not asking for a gentle romance; she’s pleading for a complete loss of control.

Lock me up and throw away the key
He knows how to get the best out of me
I’m no force for the world to see
Trade my whole life just to be

This isn’t just poetic language. It’s a portrait of someone who feels overwhelmed by her own power or freedom and finds a strange sense of peace in surrendering it to someone else. The line “Trade my whole life just to be” is incredibly telling. It suggests a willingness to sacrifice everything—her identity, her autonomy—for the intoxicating release that this dynamic provides. It’s a fantasy of being owned, of having the burden of choice lifted, even if it’s in a painful way.

The Controller’s Chilling Confession: The Weeknd’s Role

Then, The Weeknd slides in, and his perspective is the complete opposite. He’s not just a participant; he’s the architect of this whole dynamic. His lyrics are brutally honest, a cold confession of his intentions. He’s not pretending this is love; he knows exactly what it is.

Tell nobody I control you
I broke you just to own you
They can’t tell that I love you
‘Cause you’re loyal, baby

Wow. Talk about laying it all out on the table. He openly admits that his goal is ownership, achieved by “breaking” his partner. The line “‘Cause you’re loyal, baby” is particularly manipulative. He frames her submission as loyalty, twisting a toxic act into something positive. He sees her pain and submission not as a cry for help, but as a testament to her devotion. It’s a classic power play, cementing his dominance in this relationship.

The Paradox of Fame and Emptiness: JENNIE’s Verse

JENNIE’s contribution adds another fascinating layer to the story. Her verse comes later, reflecting a sense of being trapped despite having achieved everything the world values. It echoes the themes of trading one kind of life for another.

Top of the world but I’m still not free
This is a secret that I keep
Until it’s gone, I can never find peace

Waste my whole life just to be

This is so powerful. She’s on “top of the world”—a clear nod to her status as a global superstar—but feels imprisoned. This toxic relationship becomes her secret escape, the only place she can find a twisted kind of “peace” from the pressures of her public life. The desire to “waste my whole life just to be” one of his girls highlights a deep-seated emptiness. It suggests that fame and success haven’t brought her fulfillment, and she’s seeking it in this extreme, all-consuming dynamic.

Lyrics: "One Of The Girls" by The Weeknd, Jennie & Lily Rose Depp

Lock me up and throw away the key
He knows how to get the best out of me
I’m no force for the world to see
Trade my whole life just to be

Tell nobody I control you
I broke you just to own you
They can’t tell that I love you
‘Cause you’re loyal, baby
I love when you’re submissive
You love it when I break skin
You feel pain without flinchin’
So say it

Give me tough love
Leave me with nothin’ when I come down
My kind of love
Push me and choke me ’til I pass out

We don’t gotta be in love, no
I don’t gotta be the one, no
I just wanna be one of your girls tonight
We don’t gotta be in love, no
I don’t gotta be the one, no
I just wanna be one of your girls tonight, oh-oh-oh

Push me down, hold me down
Spit in my mouth while you turn me out
I wanna take your light inside
Tear me down, snuff me out
Hands on my neck while you push it up
And I’m screamin’ out

Give me tough love
Leave me with nothin’ when I come down
My kind of love
Force me and choke me ’til I pass out

We don’t gotta be in love, no
I don’t gotta be the one, no
I just wanna be one of your girls tonight (Tonight)
We don’t gotta be in love, no
I don’t gotta be the one, no (Oh)
I just wanna be one of your girls tonight, oh-oh-oh

Lock me up and throw away the key
He knows how to get the best out of me
I’m no force for the world to see
Trade my whole life just to be
Top of the world but I’m still not free
This is a secret that I keep
Until it’s gone, I can never find peace
Waste my whole life just to be

We don’t gotta be in love, no
I don’t gotta be the one, no
I just wanna be one of your girls tonight (Tonight)
We don’t gotta be in love, no
I don’t gotta be the one, no (Oh)
I just wanna be one of your girls tonight (Oh), oh-oh-oh

The Heart of the Matter: A Transaction, Not a Romance

The chorus is where all three voices unite, and it’s the song’s ultimate thesis statement. It clarifies that this entire arrangement is transactional, not emotional. It’s about a role, not a relationship.

We don’t gotta be in love, no
I don’t gotta be the one, no
I just wanna be one of your girls tonight

This refrain is the core agreement. There’s a mutual understanding: love is not on the table. The desire isn’t to be “the one,” the special partner, but simply “one of” the girls. It’s about being part of a collection, fulfilling a temporary role in a shared fantasy. This detachment is what makes the dynamic so chilling and captivating. It’s an escape for everyone involved, a way to experience intense feelings without the messy complications of genuine love and commitment.

The song paints a vivid, albeit dark, picture of a relationship built on a BDSM-like power exchange. It’s a deep dive into the psychology of wanting to submit and the desire to dominate. The lyrics are a raw exploration of how, for some, fulfillment is found not in gentle affection, but in the thrilling, dangerous dance of control and surrender.

While the song explores these themes within a fictional, hyper-stylized world, it holds a mirror to the darker side of human desire. It reminds us that what people seek from relationships can be incredibly complex and varied. The most important takeaway is the difference between a consensual fantasy and a genuinely toxic, abusive reality. The song lives in the gray area of fantasy, but it serves as a powerful cautionary tale about what happens when the lines between power, pain, pleasure, and love become dangerously blurred.

But that’s just my interpretation of this incredibly layered song! What do you hear when you listen to “One Of The Girls”? Do you see it as a dark fantasy, a commentary on fame, or a cry for help? I’d love to know what you think. Perhaps you have a completely different perspective on the story it tells.

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