Nicki Minaj – Get On Your Knees [ft. Ariana Grande]. Lyrics & Meaning: An Anthem of Unapologetic Female Dominance

Ever feel like the whole dating and romance game follows a script you didn’t write? You know the one: the guy makes the first move, he buys the flowers, he plans the grand romantic gestures. It’s a classic story, but let’s be real, sometimes you just want to grab the pen and write your own chapter, one where you’re completely in charge.

Well, what if you could not only rewrite the chapter but toss the entire book into a bonfire? Enter the explosive collaboration between Nicki Minaj and Ariana Grande. Their track, “Get On Your Knees,” is the perfect soundtrack for that feeling. But hold on, before you dismiss it as just another explicit song, let’s pull back the curtain. This track is a masterclass in flipping power dynamics, and we’re about to dissect exactly how they do it.

Beyond the Surface: What “Get On Your Knees” by Nicki Minaj and Ariana Grande is Really About

Right off the bat, this song makes it clear it’s not your typical love ballad. It’s a raw, assertive, and unapologetic anthem about female sexual agency and dominance. The entire narrative is controlled by the woman’s perspective. She isn’t waiting to be wooed; she’s setting the terms, making the demands, and enjoying every second of being in the driver’s seat. It’s a powerful subversion of traditional gender roles in relationships and intimacy.

The Demand for Submission: Ariana’s Haunting Chorus

Ariana Grande’s angelic voice is used in such a clever way here. Instead of a sweet love song, her chorus is a hypnotic, almost haunting command. There’s no ambiguity, no room for negotiation. It’s a direct order that sets the entire tone of the song.

Get on your knees, get on your knees, get on your knees
Baby, just get on your knees (On your knees)
Say pretty please, say pretty please, say pretty please
Baby, just say pretty please (Pretty please)

Notice how it’s not a suggestion. The repetition drills the message home. She wants him to not only be in a position of submission but to beg for her. This isn’t about romance; it’s about power. She’s the one with all the cards, and she wants him to acknowledge it.

The Queen’s Decree: Nicki Minaj Takes the Throne

If Ariana sets the stage, Nicki Minaj is the queen who walks onto it and owns it completely. Her verses are a whirlwind of confidence and explicit instructions. She uses vivid, almost comical imagery to establish her dominance. Let’s look at the opening lines:

Got-got a bow on my panties
Because my ass is a present

This is brilliant. She’s reclaiming her sexuality. Her body is a “present,” but it’s one she’s giving on her terms. It’s a gift he has to earn, not one he is entitled to. She continues to reinforce this power dynamic throughout her rap, with lines like “You look good when you’re beggin'” and “let me see what you’re workin’ with.” She is the evaluator, the one in control of the entire encounter, flipping the script on who typically holds the power in the bedroom.

Lyrics: "Get On Your Knees" by Nicki Minaj (ft. Ariana Grande)

[Ariana Grande:] Get on your knees, get on your knees, get on your knees
Baby, just get on your knees (On your knees)
Say pretty please, say pretty please, say pretty please
Baby, just say pretty please (Pretty please)

[Nicki Minaj:] Yo, I’ll be back at eleven
You just act like a peasant
Got-got a bow on my panties
Because my ass is a present
Yeah-yeah, it’s gooder than Meagan
You look good when you’re beggin’
I-I be laughing when you beggin’ me
To just put the head in
L-let me sit on your face
It’s OK, you can play with it
When I’m bouncin’ it, chill out
And don’t you make a mistake with it
L-let me see what you’re workin’ with
If I’m ridin’, I’m murkin’ it
Slow grindin’, I’m twerkin’ it, yeah
I bagged him, I Birkin’d it

[Ariana Grande:] I don’t need a dozen roses
You ain’t gotta wine and dine me, no
I don’t need a pretty poet
Ooh, gettin’ all emotional
You gotta beg for it, beg for it
I wanna see you lookin’ up
Baby, I’ma need you to beg for it

Get on your knees, get on your knees, get on your knees
Baby, just get on your knees (On your knees)
Say pretty please, say pretty please, say pretty please
Baby, just say pretty please (Pretty please)

[Nicki Minaj:] G-g-g-g-gimme brain
Assume the position
Make-make-make me way smarter
Like you was a magician
Paid my dues and tuition
It’s good for your nutrition
Get head like a beautician
Got me twitchin’, finish your mission (Finish your mission)
You make it come down
Y-y-y-you make it run down
I’ma need you to give these other dudes the rundown
You got that legendary
This shit is fake, scary
Got me seein’ them fireworks, I’m on my Kate Perry

[Ariana Grande & Nicki Minaj:] (Ah) I don’t need a dozen roses
You ain’t gotta wine and dine me, no
I don’t need a pretty poet
Ooh, gettin’ all emotional
You gotta beg for it, beg for it
I wanna see you lookin’ up
Baby, I’ma need you to beg (I’ma need you to beg)
Beg, beg for it (Let’s go)

‘Cause we are just animals (Animals)
Baby, it’s primal (It’s primal)
I want you on all fours (All fours)
And before I let you walk
You gotta show me how you crawl
If you want it all (Yeah, you want it all?)
It’s non-negotiable
So do as I say (I say)
If you wanna get the job
You better know who’s the boss
Yeah

[Ariana Grande:] I don’t need a dozen roses
You ain’t gotta wine and dine me, no
I don’t need a pretty poet
Ooh, gettin’ all emotional
You gotta beg for it, beg for it (Beg for it)
I wanna see you lookin’ up (Lookin’ up)
Baby, I’ma need you to beg for it

Get on your knees, get on your knees, get on your knees
Baby, just get on your knees (On your knees)
Say pretty please, say pretty please, say pretty please
Baby, just say pretty please (Pretty please)

Flipping the Script: A Rejection of Traditional Romance

Just in case the message wasn’t clear enough, the pre-chorus and the bridge spell it out for everyone. This part of the song is crucial because it directly contrasts their demands with the traditional expectations of romance.

I don’t need a dozen roses
You ain’t gotta wine and dine me, no
I don’t need a pretty poet
Ooh, gettin’ all emotional

This is a direct rejection of the courtship rituals we’re so used to seeing. She’s saying, “Save the flowers and the fancy dinners. That’s not what I want right now.” What she wants is something more primal, more direct, and something she is in complete control of. The bridge hammers this point home even harder:

‘Cause we are just animals (Animals)
Baby, it’s primal (It’s primal)

If you want it all (Yeah, you want it all?)
It’s non-negotiable
So do as I say (I say)
If you wanna get the job
You better know who’s the boss

Lines like “It’s non-negotiable” and “you better know who’s the boss” leave zero doubt about the power structure of this encounter. This isn’t a partnership of equals in this moment; it’s a performance where she is the director, and he is the actor following her every command.

At its core, “Get On Your Knees” is a bold declaration of confidence. It’s about a woman who knows exactly what she wants and is not afraid to demand it. The song serves as a powerful reminder that women can, and should, own their desires without shame or apology. It champions the idea of taking control of your own narrative, especially in situations where society often expects you to be passive.

So, the track is much more than just its provocative lyrics. It’s a statement piece about power, agency, and the freedom to define pleasure on your own terms. But that’s just my take on it. What do you hear when you listen to this song? Do you see it as an anthem of empowerment, or is there another layer I might have missed? Let’s discuss in the comments!

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