Chloe Qisha – Modern Romance. Lyrics & Meaning

Chloe Qisha – Modern Romance: A Perfect Blueprint for a Beautiful Disaster

Ever been on a date that felt more like a job interview? You know, where you’re both ticking off mental boxes, asking the same five pre-approved questions, and trying so hard to present the “perfect” version of yourself that you forget to actually connect? It’s like you’re both playing a role in a movie about a first date, rather than actually having one. It’s exhausting, right? Well, there’s a song that perfectly bottles up that awkward, hilarious, and slightly sad feeling, turning it into an absolute bop. Get ready, because we’re diving deep into the brilliant satire hiding in plain sight.

Let’s Unpack the Hilarious Tragedy of “Modern Romance” by Chloe Qisha

From the very first line, Chloe Qisha sets up a scene that is both absurd and painfully relatable. Our narrator isn’t just hoping to bump into someone at a coffee shop; she’s taking a calculated, almost business-like approach to finding love. She’s not leaving it to chance, oh no. She’s strategizing.

Building the “Perfect” Partner Persona

The song kicks off with a plan that feels straight out of a bygone era, but with a modern, cynical twist. She’s literally advertising for a partner like she’s looking for a new roommate.

I put an ad In a local paper
“Modern woman, seeking modern man”
I’ve collected all the data
I’ve decided, it’s my only chance

See what she’s doing? It’s all about the “data” and the “chance.” There’s no room for messy emotions here, just a formula. And what does this formulaic relationship look like? It’s all about appearances. It’s about building a life that looks good on Instagram, filled with all the right accessories. They won’t just be a couple; they’ll be a brand.

We’ll only listen to the modern bands
We’ll only watch modern TV
You’ll only catch us wearing modern brands

It’s not about shared passions; it’s about a shared aesthetic. She’s constructing a fantasy life before she’s even met the person, focusing on the superficial details that make up the “modern” image. It’s a performance, and the search for love has become a casting call.

The Awkward First Date Simulation

If the verses are the plan, the bridge is the disastrous, cringey execution. This is where the song truly shines, laying bare the sheer awkwardness of forced small talk. It’s a rapid-fire sequence of the most generic, soulless first-date questions imaginable. It feels like she’s reading from a script titled “How to Human: A Beginner’s Guide.”

You come here often?
What do you do for work?

You got any siblings?
Do you have any pets?

Oh, you DJ?
It was going so well

That line, “It was going so well,” is just dripping with sarcasm. It absolutely wasn’t! It was a robotic exchange of information. The “compliments” feel hollow, the “funny joke” probably landed with a thud, and the suggestion to “split the bill” feels less like a modern feminist statement and more like another checkbox on the list of “things modern couples do.” This whole section perfectly captures the feeling of trying to build a spark with wet wood.

Lyrics: "Modern Romance" by Chloe Qisha

[Verse 1] I put an ad In a local paper
“Modern woman, seeking modern man”
I’ve collected all the data
I’ve decided, it’s my only chance
And when I find that person, baby
We’ll only listen to the modern bands
We’ll only watch modern TV
You’ll only catch us wearing modern brands

[Pre-Chorus] Ah-ha, ah-ha, ah-ha, ah-ha, ah-ha, oh
Well, at first we’ll take it slow
But if you wanna speed it up a little
I’ll be ready to go

[Chorus] I can be the one in your covers, baby
I can take you out, you don’t have to stay
We don’t stand a chance
In modern romance
I could make your other lovers hate me
You can’t get enough when you get a taste
We don’t stand a chance
In modern romance

[Post-Chorus] Ah, ah, ah, ah
If you’re looking for love
Just call me
Call me

[Verse 2] I’ll meet your dog, you can meet my parents
I’ll let it slide, but I’m kind of a cat person
I’ll cut your bangs with the kitchen scissors
We do the big shop on a Thursday

[Pre-Chorus] I, ah-ha, ah-ha, ah-ha, ah-ha, ah-ha, I
I will hold you when you cry
But if you wanna speed it up a little
I’ll be ready tonight

[Chorus] I can be the one in your covers, baby
I can take you out, you don’t have to stay
We don’t stand a chance
In modern romance
I could make your other lovers hate me
You can’t get enough when you get a taste
We don’t stand a chance
In modern romance
[Bridge] You asked for this
You come here often?
What do you do for work?
Honey, please don’t cry
I was tryna flirt
You got any siblings?
Do you have any pets?
Oh, you DJ?
It was going so well
Here’s a compliment
Now here’s another one
Here’s a funny joke
Let’s split the bill
Here’s my number
This was fun, yeah
You’ve got charisma
And sex appeal

[Chorus] I can be the one in your covers, baby
I can take you out, you don’t have to stay
We don’t stand a chance
In modern romance
I could make your other lovers hate me
You can’t get enough when you get a taste
We don’t stand a chance (Never stand a chance)
In modern romance (Ha-ha-ha, that’s a funny joke)
[Post-Chorus] Ah, ah, ah, ah (Yeah, you think I’m real cool)
If you’re looking for love (Yeah, cool, uh-huh, cool)
Just call me
Call me

The Brutally Honest Chorus We All Feel

And this brings us to the core message, the punchline of the entire song, delivered in a catchy, upbeat chorus. After laying out this meticulous plan for a perfect modern life with a perfect modern partner, she delivers the devastatingly honest truth.

We don’t stand a chance
In modern romance

It’s brilliant! She knows her own plan is doomed from the start. This isn’t a hopeful anthem; it’s a self-aware critique of the very process she’s engaging in. She understands that a relationship built on a checklist, on curating a certain image, and on forced interactions has no real foundation. It’s a house of cards, and she’s admitting it even as she’s building it. The quest for a “perfect” romance is precisely what makes it impossible.

The song is a fantastic reminder that the best parts of life and love are usually the unscripted, messy, and imperfect moments. It’s not about finding someone who listens to the “right” bands, but someone you can sing off-key with in the car. It’s about ditching the interview questions and actually listening, really connecting with the person across from you. Chloe Qisha is telling us to throw away the checklist because the real magic happens when we stop trying to control the narrative and just let things be genuine.

So, what do you think? Does this song perfectly capture the weirdness of dating today, or do you see it differently? The beauty of a song like “Modern Romance” is that it can mean different things to everyone. I’d love to hear your take on it!

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