Confidence Man & JADE – gossip. Lyrics Meaning: The Viciously Fun Sport of Spilling Tea

Ever been in a conversation that’s just… okay, and then someone leans in, lowers their voice, and says, “So, did you hear about…”? Suddenly, the energy in the room completely shifts. It’s that sudden jolt, the guilty pleasure of knowing you’re about to hear something you probably shouldn’t. It’s a feeling that’s both thrilling and a little bit naughty. Well, the Australian electro-pop duo Confidence Man and French house producer JADE have basically bottled that exact feeling and turned it into a pulsing, irresistible dance track. This isn’t just a song about rumors; it’s a deep dive into the deliciously messy world of gossip, and it has a lot more to say than you might think at first listen.

The Irresistible Pull of “gossip” by Confidence Man & JADE

Right from the get-go, the song doesn’t shy away from what it is. The narrator isn’t a passive observer; they are a professional, a connoisseur of chatter. They treat gossip like a full-time job that demands dedication and skill. Just listen to how it starts:

It’s so much harder than it looks, I talk about you all day

The phone ringing off the hook, I got so many things to say

It’s almost comical, right? They’re painting a picture of someone who is tirelessly working the phones, not for a sales job, but to manage the flow of information about other people. It’s an art form to them, and like any artist, they know the importance of a good story. This is where the track gets brilliantly clever, revealing the secret ingredient to all juicy rumors.

Maybe tell a simple lie, but it’s partly true

Boom. That’s the magic formula. The most effective gossip is never a complete fabrication. It’s rooted in a tiny seed of truth, which makes the whole story feel plausible and so much more damaging. The song isn’t just telling us this; it’s giving us the playbook.

Lyrics: "gossip" by Confidence Man & JADE

Gossip

It’s so much harder than it looks, I talk about you all day
The phone ringing off the hook, I got so many things to say (Say, say, say)
It’s important, get it right, put yourself in my shoes
Maybe tell a simple lie, but it’s partly true (True, true, true, true)

Okay? Hey
When you talk around town, girl, why you gotta top me like that? (Like that)
Gossip, oh, my god, alright, alright, alright
Hey, when you talk around town, girl, why you gotta top me like that? (Like that)
Gossip, oh, my God, alright, alright, alright

Hello?

You only get what you deserve, you only reap what you sow
Every detail is a blur (Blur, blur), broken bones, sticks and stones (Stones, stones, stones)
I don’t beat around the bush (No, no, no, I never do)
I don’t mean to mess about (But I wanna mess with you)
But when the fire starts (Starts, starts), I simply can’t put it out (I just can’t)

Okay? Jey
When you talk around town, girl, why you gotta top me like that? (Like that)
Gossip, oh, my god, alright, alright, alright
Hey, when you talk around town, girl, why you gotta top me like that? (Like that)
Gossip, oh, my God, alright, alright, alright

Wait, um
Oh, my God, are you serious?
No
Fuck no
Oh, my God, she’s so good
Shut up
I love talking about people
Me too, it’s so fun, I really care about my reputation and stuff but it’s jus t not okay
Well, I don’t think you wanna hear what people are saying about you, babe
Oh, my god, what did Tina say?
Tina said you’re a cunt
(Like that, like that, alright)

Hey, when you talk around town, girl, why you gotta top me like that? (Like that)
Gossip, oh, my god, alright, alright, alright
Hey, when you talk around town, girl, why you gotta top me like that? (Like that)
Gossip, oh, my god, alright, alright, alright
Oh, my god

Gi-gi-gi-gi-gi-gi-gi-girls go, and the boys go
And the girls go, and the boys go
Girls go, and the boys go
And the girls go, and the boys go

More Than Just Talk: The Gossip Olympics

The chorus shifts the dynamic from a solo activity to a competitive sport. It’s not enough to just share a story; you have to have the best story. It’s a battle for dominance in the social arena, and the prize is attention.

Hey, when you talk around town, girl, why you gotta top me like that?

This line is so revealing. It’s dripping with a playful-yet-serious sense of rivalry. It’s like someone just dropped a bombshell piece of gossip at a party, and our narrator is both impressed and annoyed, thinking, “Darn, I wish I’d thought of that one.” It frames the entire act as a game where everyone is trying to one-up each other, escalating the stories until they’re barely recognizable.

A Hint of Karma, or Just Fuel for the Fire?

The second verse brings in a familiar saying, but with a wonderfully cynical twist. The speaker claims there’s a sense of justice to it all.

You only get what you deserve, you only reap what you sow

But do they really believe in karma? Not for a second. In the context of the song, this feels more like a justification. They’re telling themselves (and anyone who will listen) that if someone is being talked about, they must have done something to deserve it. It’s a way to wash their hands of any guilt while simultaneously lighting a new fire. The following lines confirm this malicious intent hidden under a casual facade:

I don’t mean to mess about (But I wanna mess with you)

But when the fire starts, I simply can’t put it out

They admit they can’t control the chaos they create, but the subtext is clear: they absolutely love watching it burn.

The Mid-Song Tea Party That Changes Everything

Just when you’re locked into the beat, the music fades, and we’re dropped into a candid phone call. This interlude is pure genius. It’s the song pulling back the curtain to show you the raw, unfiltered reality of the world it’s describing.

Oh, my God, are you serious?

No

Fuck no

Oh, my God, she’s so good

Shut up

The performative shock, the feigned disbelief—it’s all there. This is the moment where the abstract concept of gossip becomes painfully real and personal. The conversation culminates in the most brutal, direct insult imaginable, delivered with a casual finality that is genuinely shocking. It’s a reminder that behind every “juicy story” are real people and real feelings, and the consequences can be incredibly harsh.

Ultimately, “gossip” is a masterclass in satire. It wraps up a pretty toxic human behavior in a shiny, danceable package, forcing us to bop our heads along to the very thing we’re often warned against. The song serves as a funhouse mirror, reflecting the absurdity and the thrill of the rumor mill. It’s a reminder that while it can feel powerful to be the one “in the know,” that power is often built on someone else’s expense. The real message isn’t to never talk about anyone, but to be aware of the game and the potential damage it can cause.

So, what’s your take on it? Do you see “gossip” as a cautionary tale dressed up as a party anthem, or is it just a fun, unapologetic celebration of human nature’s messy side? Maybe it’s a bit of both. I’d love to hear what you think, because this is one topic that always gets people talking.

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