DJ Snake, Ozuna, Megan Thee Stallion & LISA – SG. Lyrics & Meaning

DJ Snake, Ozuna, Megan Thee Stallion & LISA – SG : A Global Invitation to a Sizzling Night Out

Ever get that electric feeling when you walk into a party and the music just takes over your body? It’s like the beat syncs up with your heartbeat, and for a few hours, nothing else matters except the rhythm and the energy of the room. You feel seen, confident, and completely in the moment. It’s a universal language we all understand, a vibe that connects everyone on the dance floor.

Well, what if I told you that a team of global superstars managed to bottle that exact feeling into a three-minute and forty-five-second track? That’s precisely what “SG” is. It’s more than just a catchy tune; it’s a narrative of a perfect, high-energy night told from three incredibly distinct and powerful perspectives. But if you’re only vibing to the beat, you’re missing the full picture. So, let’s break down the story they’re telling us.

The Seductive Scene-Setter: Ozuna’s Invitation in “SG”

The track kicks off with the smooth, unmistakable voice of Ozuna. He’s not just singing; he’s setting the entire scene. He’s the one who spots that “Sexy Girl” and is completely captivated. His verses are all about a direct, yet respectful, invitation to the dance floor. He’s not being pushy; he’s mesmerized.

When he sings:

Sexy girl, dime qué va’ a hacer
Sexy girl, tell me what you’re gonna do
Yo quiero ver, saber lo que tú sabe’ hacer
I want to see, to know what you know how to do

He’s essentially saying, “I see you, and you’re amazing. Show me what you’ve got.” It’s a compliment wrapped in a question. He then gets more specific, making it personal:

Baila como lo hiciste ayer

Dance like you did yesterday

This little line is pure genius. It implies this isn’t their first encounter. He remembers her, and her dancing left a lasting impression. He’s not just interested in a random dance; he wants to relive that specific, unforgettable moment. His whole part is about anticipation, the thrill of the chase, and the promise of a night that will last until sunrise (Amanecemo’). He builds the world for the song, and it’s a world you immediately want to be a part of.

Lyric: "SG" by DJ Snake, Ozuna, Megan Thee Stallion & LISA

(Yeah)
Woh-oh-oh (Yeah)
Dime qué va’ a hacer, qué va’ a hacer, qué va’ a hacer
Dímelo, Yampi, Yampi

Sexy girl (Sexy girl), dime qué va’ a hacer (¿Qué va’ a hacer?)
Yo quiero ver, saber lo que tú sabe’ hacer (Tú sabe’ hacer)
Baila (Baila) como lo hiciste ayer (Lo hiciste ayer)
Amanecemo’, prende, nos vamo’ a beber, baby

Déjate llevar por lo que te diga la música
Mírame, como que tú estás lucía
Te miro y puedo verte única
Pa’ colmo, demasia’o de sólida
Déjame que me caiga la noche
Voy a pasar a buscarte en el coche
Me encanta cuando tú me mira’
No quiero olvidar aquella noche
Déjame que me caiga la noche
Vo’a pasar a buscarte en el coche
Me encanta cuando tú me mira’
No quiero olvidar aquella noche, babe

Sexy girl (Sexy girl), dime qué va’ a hacer (¿Qué va’ a hacer?)
Yo quiero ver, saber lo que tú sabe’ hacer (Tú sabe’ hacer)
Baila (Baila) como lo hiciste ayer (Lo hiciste ayer)
Amanecemo’, prende, no’ vamo’ a beber

Ayy, he wanna party with a hottie (With a hottie)
He said he like ’em thick, I got that body-ody-ody (Ah)
I must be who they study ’cause I’m always the subject
Professor, finesser (Yeah)
Teach you bitches how to keep a player under pressure
Thick thighs, brown eyes, pretty brown skin (Brown skin)
Ninety-nine problems and none of ’em are men (None of ’em are men)
Many men try (Yeah), but many men fail
I gotta get the head ‘fore I let you get the tail (Ah)

Sexy girl (Sexy girl), dime qué va’ a hacer (¿Qué va’ a hacer?)
Yo quiero ver, saber lo que tú sabe’ hacer (Tú sabe’ hacer)
Baila (Baila) como lo hiciste ayer (Lo hiciste ayer)
Amanecemo’, prende, no’ vamo’ a beber

(Oh-oh, oh-oh)

(Deja, uh)
Baila, whatcha want, dance for you
I sway, sway all night with you
Baila, come on in, closer, you
Eh-eh, eh-ayy, yeah
‘Til the sun comes up, I’ll be here with you
No lie, no lie
Got me in the mood when it just us two
I’ll fly, I’ll fly, yeah-eh

Sexy girl (Sexy girl), you know I don’t play
Make you fall in love, one touch and you’ll be saved (Tú sabe’ hacer)
On fire (Fire), boy, won’t you behave? (Lo hiciste ayer)
My love gon’ send you up into a higher place
Oh, oh-oh

(Oh-oh, oh-oh)

(Oh-oh-oh, oh-oh)
(Oh-oh-oh, oh-oh)

Megan Thee Stallion’s Masterclass in Unshakeable Confidence

Just when you’re swaying to Ozuna’s reggaeton rhythm, the beat shifts, and Megan Thee Stallion steps up to the mic. And let me tell you, she doesn’t just enter the story—she takes it over. If Ozuna’s part was an invitation, Megan’s is a declaration of self-worth and power. She’s not waiting to be chosen; she is the main event.

From Object of Affection to Professor of Power

Megan flips the script entirely. She acknowledges the attention she’s getting (“he wanna party with a hottie”) but immediately establishes that she’s in complete control. Her lines are a masterclass in confidence. Check this out:

Professor, finesser
Teach you bitches how to keep a player under pressure

Wow. She’s not just participating in the game; she’s teaching it. She positions herself as an expert, someone to be studied. Then comes the ultimate power move, a line that’s all about independence and knowing your value:

Ninety-nine problems and none of ’em are men

This is her telling the world that her happiness and her life don’t revolve around male attention. She’s whole and complete on her own. Her verse adds a crucial layer to the song: the “sexy girl” isn’t just sexy because someone finds her attractive; she’s sexy because she owns her power and confidence from within. It’s a total boss move.

LISA’s Hypnotic and Fiery Charm

After Megan’s explosive energy, LISA from BLACKPINK glides in and changes the vibe once again. Her section is dreamy, hypnotic, and incredibly magnetic. While Ozuna was the invitation and Megan was the declaration, LISA is the enchanting connection. Her English verses are smooth and a little more intimate, creating a one-on-one feeling within the crowded party.

She sings directly to her partner on the dance floor:

Baila, whatcha want, dance for you
I sway, sway all night with you

It feels personal and focused. The loud party fades into the background, and it’s just about the two of them. But don’t mistake her smooth delivery for passivity. She brings a fiery edge, a warning that she’s not to be underestimated:

Sexy girl, you know I don’t play
Make you fall in love, one touch and you’ll be saved
On fire, boy, won’t you behave?
My love gon’ send you up into a higher place

She’s a captivating force of nature, promising an almost spiritual experience. Her part beautifully blends a sweet, hypnotic allure with a powerful, fiery confidence. It’s the perfect fusion of the song’s themes, showing that you can be both inviting and in command at the same time.

Ultimately, “SG” is more than a party anthem. It’s a celebration of confidence in its many forms. It tells us that being attractive isn’t just about how you look, but about how you carry yourself, how you own your space, and how you connect with others. The song champions living in the moment, enjoying the thrill of the night, and feeling completely, unapologetically yourself.

So, what’s your take on “SG”? Do you vibe more with Ozuna’s smooth invitation, Megan’s powerhouse declaration, or LISA’s hypnotic charm? Each artist brings such a unique flavor to the track, and I’d love to hear which part resonates with you the most. Let’s discuss!

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