Drake – NOKIA. Lyrics & Meaning

Drake – NOKIA : A Modern Anthem for Nightlife and Fleeting Connections

Ever had one of those nights where your phone is buzzing off the hook, notifications are piling up, but you’re really just scanning the room for one specific person? It’s that weird mix of feeling popular and yet totally focused, where a hundred digital pings can’t compete with a single real-life magnetic pull. You’re surrounded by noise and options, but all you want is one clear signal. Well, Drake managed to bottle that exact feeling, shake it up with a heavy bassline, and pour it out into his track “NOKIA.” This song isn’t just about a wild night out; it’s a surprisingly deep look at status, attraction, and the hunt for something genuine in a world full of distractions.

The Constant Buzz in Drake’s “NOKIA”

Right from the jump, the song throws you into a state of sensory overload. The repetitive chant of “Who’s callin’ my phone?” isn’t just a hook; it’s the soundtrack to a modern-day socialite’s life. It feels frantic, almost anxious. You can practically see the phone screen lighting up with endless names.

And speaking of names, Drake immediately starts listing them off:

Is it Stacy?
Is it Becky?
Is it Keisha?
Is it Ellie?

This isn’t just a roll call. It paints a picture of a man with so many options that they all start to blur together. It’s a classic flex, for sure, but it also hints at a lifestyle that’s maybe a little hollow. When you have everyone’s attention, does any single person’s attention really matter? The song’s title, “NOKIA,” feels like a sly, ironic joke. He’s referencing a time of brick phones and simple communication while navigating the complexities of a hyper-connected, always-on world.

Lyric: "NOKIA" by Drake

Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone? (Who? Who?)
Who’s callin’ my phone? (Who? Who?)
Who’s callin’ my phone? (Yeah, yeah)
Who’s callin’ my phone? (OVO Sound, 2025)
Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone?

Is it Stacy? (Who’s callin’ my phone?)
Is it Becky? (Who’s callin’ my phone?)
Is it Keisha? (Who’s callin’ my phone?)
Is it Ellie? (Who’s callin’ my phone?)
Was it Dani? (Who’s callin’ my phone?)
Is it PARTY? (Who’s callin’ my phone?)
Where’s the function? (Where the fuck the function?)
Send the addy (Where the fuck the function?)

The way I feel right now, I feel like we need to be all alone
So if you just playin’ around, you need to tell your girl, “Take your fine ass home,” and that’s real
Stop teasin’ me, yeah, what? Stop teasin’ me
I could change your life so easily
I keep beggin’ you to stay, but you’re leavin’ me
Leavin’ me, we got sticks in the club illegally
Got the whole 6ix side, they believe in me
We got members east of the DVP
We got members west on the 401
We had a lock on the game, but it’s more to come
You gotta pop that ass ’til the morning come
You want shots for the girls? Then order some

Who’s callin’ my phone? (Who’s callin’ that?)
Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone? (Who’s callin’ that shit?)
Who’s callin’ my phone? (Who? Who?)
Who’s callin’ my phone? (Who? Who?)
Who’s callin’ my phone? (Who? Who?)
Who’s callin’ my- (Ayy)

Is it Stacy? (Who’s callin’ my phone?)
Is it Becky? (Who’s callin’ my phone?)
Is it Keisha? (Who’s callin’ my phone?)
Is it Ashley? (Who’s callin’ my phone?)
Was it Dani? (Who’s callin’ my phone?)
Is it PARTY? (Who’s callin’ my phone?)
Where’s the function? (Where the fuck the function?)
Send the addy (Where the fuck the function?)

Baby girl
Baby girl
Baby girl

Baby girl
Let me see you do your dance, let me see you twirl
Shakin’ ass in the club with your homegirls
Take a pic for the ‘Gram, show the whole world (Show the whole world), yeah
Is that your bestie?
I’ma ice both of y’all like Gretzky
I’ma at you like bless me
Hit the dance floor, get nasty, impress me
Baby girl
Let me see you do your dance, let me see you twirl
Shakin’ ass in the club with your homegirls
Take a pic for the ‘Gram, show the whole world (Show the whole world), yeah
Is that your bestie?
I’ma ice both of y’all like Gretzky
I’ma at you like bless me
Hit the dance floor, get nasty, impress me

Ayy, how many hoes in this club?
Is it just me and you, my love?
I don’t mean to call you no ho
I just heard about the things that you do, my love
And you’re just like me, if it’s true, my love, ayy
You could see right through my love, ayy
I see your waist shrunk, my love, ayy
You got some bass in the trunk, my love, damn
How many hoes in this club?
Is it really just me, my love?
You know my dad ‘nem pimpin’ for real
You ever been down to Memphis, Tennessee, my love? Uh
I ain’t sayin’ I agree, my love
I’m just tellin’ you the things I seen, my love
I got drinks, jokes, sex, and cash
Those are four things I can guarantee, my love, ayy

Baby girl
Let me see you do your dance, let me see you twirl
Shakin’ ass in the club with your homegirls
Take a pic for the ‘Gram, show the whole world (Show the whole world), yeah
Is that your bestie?
I’ma ice both of y’all like Gretzky
I’ma at you like bless me
Hit the dance floor, get nasty, impress me
Baby girl
Let me see you do your dance, let me see you twirl
Shakin’ ass in the club with your homegirls
Take a pic for the ‘Gram, show the whole world (Show the whole world), yeah
Is that your bestie?
I’ma ice both of y’all like Gretzky
I’ma at you like bless me
Hit the dance floor, get nasty, impress me

From the Crowd to a Connection: Zeroing In

Just when you think the whole song is going to be about this chaotic, popular-guy-problem, Drake pivots. He cuts through the noise with a moment of surprising clarity and focus. He’s in the club, surrounded by people, but his attention has been snagged by someone special. He’s no longer interested in the phone or the endless list of names. He wants something real, right now.

The way I feel right now, I feel like we need to be all alone
So if you just playin’ around, you need to tell your girl, “Take your fine ass home,” and that’s real
Stop teasin’ me, yeah, what? Stop teasin’ me
I could change your life so easily

This is where the story truly begins. It shifts from a broad narrative about popularity to an intimate, one-on-one conversation. The bravado is still there—”I could change your life so easily”—but it’s now aimed at a single target. He’s making his intentions clear. This isn’t about playing games; it’s about seizing a moment.

More Than Just a Party Vibe

While the beat makes you want to find the nearest dance floor, the lyrics show a man who is both a participant and an observer of the scene. He’s flexing his status (“Got the whole 6ix side, they believe in me”) while simultaneously trying to build a personal bubble for two amidst the chaos. He’s orchestrating the party (“You want shots for the girls? Then order some”) but also trying to escape it with one person.

The Art of the Compliment and the Honest Offer

The second half of the song is essentially Drake’s pitch, and it’s a masterclass in modern flirting. He’s not just throwing out generic compliments; he’s hyping her up, celebrating her confidence and her friendships. He’s basically becoming her personal cheerleader.

Baby girl

Let me see you do your dance, let me see you twirl
Shakin’ ass in the club with your homegirls
Take a pic for the ‘Gram, show the whole world

He sees her, he sees her friends, and he’s all in. The line, “I’ma ice both of y’all like Gretzky,” is such a clever, multi-layered compliment. On one hand, “ice” means decking them out in diamonds. On the other, it’s a nod to hockey legend Wayne Gretzky, a Canadian icon, making it a very on-brand Drake boast.

But the most interesting part is when he gets radically honest. He acknowledges her reputation but does so in a way that creates a bond, not a judgment.

I don’t mean to call you no ho
I just heard about the things that you do, my love
And you’re just like me, if it’s true, my love

Wow. Instead of judging her, he finds a common ground. He’s saying, “We’re the same. We live our lives freely.” It’s a moment of raw, non-judgmental connection. He follows this up by being completely transparent about what he can offer: a good time, no strings attached. He lays his cards on the table with, “I got drinks, jokes, sex, and cash / Those are four things I can guarantee, my love.” It’s bold, it’s a little transactional, but it’s incredibly upfront.

At its heart, “NOKIA” is about cutting through the superficial to find a moment of genuine, unfiltered fun. The song champions living in the moment, celebrating your own confidence, and being honest about what you want. It’s a reminder that even in the most crowded room, a real connection—even a temporary one—is what truly matters.

So, what do you think? Is “NOKIA” just a slick party track, or is there a deeper story about modern dating and connection being told here? I’d love to hear your take on it!

Related Post