Joyner Lucas – NOBODY CARES. Lyrics Meaning: Your Clout is Expired

Ever been in a conversation where someone just won’t stop talking about their glory days? You know, the “back in my day” stories, the name-dropping, the constant reminders of who they used to be or who they know. You just stand there, nodding along, but inside you’re thinking, “That’s cool, but what have you done lately?” It’s a feeling we’ve all had, a quiet frustration with people who live in the past instead of the present.

Now, imagine that entire feeling bottled up, weaponized, and unleashed in a nearly four-minute lyrical assault. That’s the perfect way to describe what Joyner Lucas did in his track “NOBODY CARES.” This song isn’t just a musical clap-back; it’s a masterclass in dismantling a reputation, brick by brick, by hammering home one brutal, simple truth. Let’s break down how Joyner Lucas turns a personal feud into a universal message about what really matters.

Diving Deep into ‘NOBODY CARES’ by Joyner Lucas: The Story Behind the Smoke

Right from the jump, Joyner isn’t here to play games. The song kicks off with an aggressive energy, making it crystal clear that this isn’t a friendly competition. It’s a direct response, a diss track aimed squarely at UK grime legend Skepta. Joyner heard his name was being mentioned, and he decided to end the conversation permanently.

The Opening Salvo: This is War

He doesn’t waste a single second. The first few bars are a declaration of intent. He’s not just responding; he’s aiming to obliterate.

I ain’t wanna do it, but somebody told me he saying my name, it’s war (Joyner)
I wanna know what drugs you taking and what do you take me for?
Maybe you mad ’cause you ain’t got buzz up in the UK no more (You mad)
I heard your career just ain’t what it was and you don’t get paid no more (Facts)

See what he did there? He immediately attacks the foundation of his opponent’s relevance. He suggests Skepta’s fame is fading in his own backyard and frames the entire conflict as a desperate attempt to stay relevant. It’s a classic power move, turning the tables before the fight has even really begun.

The Cross-Continental Takedown

Joyner then cleverly uses the US vs. UK dynamic to his advantage. He paints a picture of Skepta as someone who feels small at home and tries to act bigger than he is when he comes to the States. It’s a deeply personal jab, designed to get under the skin.

I know you hate being home, you come to the States and try to be arrogant (Yeah)
I bet you sit in your room and secretly wish that you was American (Ahh)

And then comes the ultimate disrespect in the world of hip-hop: questioning lyrical skill. Joyner claims that despite Skepta’s legendary status, his music doesn’t have the impact he thinks it does, especially in America. This line, in particular, is absolutely savage:

‘Cause all of my life, I never heard nobody tell me to put on that Skepta shit (Grrah!)

Ouch. He’s not just saying he’s better; he’s saying Skepta is irrelevant to his entire world. It’s a dismissal of his whole catalog and cultural impact.

Lyrics: "NOBODY CARES" by Joyner Lucas

Yeah, yeah, yeah
Yeah, smoke, ayy, yeah, ayy, smoke, ayy, smoke
I want smoke, I want smoke, I want smoke, I want smoke (Ayy, Joyner, brrt)

Who want smoke? Gimme the blunt, I’m ready to blaze a corpse (Do it)
After this song is over, I never wan’ hear this debate no more (For real)
I ain’t wanna do it, but somebody told me he saying my name, it’s war (Joyner)
I wanna know what drugs you taking and what do you take me for?
Maybe you mad ’cause you ain’t got buzz up in the UK no more (You mad)
I heard your career just ain’t what it was and you don’t get paid no more (Facts)
If you wanna feature, nigga, just say it, but you gotta pay me for it (Say that)
And after I body you, I don’t want you ever saying my name anymore (Grrt-grrt)
I know you putting your flag all on your back, now you gotta carry it (Aha)
If somebody holding it down, it shouldn’t be you, it’s time to be serious (Serious)
I know you hate being home, you come to the States and try to be arrogant (Yeah)
I bet you sit in your room and secretly wish that you was American (Ahh)
Soon as I heard your diss, was shaking my head, the shit was hilarious (Trash)
Ain’t even wanna respond
But niggas in London told me take care of it (Yeah, grrt, grrt, grrah!)
You keep on saying my name, you digging the grave that you gon’ be buried in (Bitch)
Everyone back in your country looking at you like you an embarrassment
I’m bout to perish ’emh (Grrt, grrt, grrah!)
I gotta, I gotta make ’em respect this shit, put that on your life, I bet this shit (Brrt)
You lyrically better than no one I know, not even no one on the Freshman List
I love the UK, but that’s just it, I really hope you ain’t the best there is (Grrt, grrt)
‘Cause all of my life, I never heard nobody tell me to put on that Skepta shit (Grrah!)
When you gon’ finally accept this shit? You not on my level, don’t test this shit (Grrt, grrt)
I know that you think it’s friendly fire, but I’m not one of your friends and shit (Boom-boom)
You should of hit up of your friends, lil’ bitch, go call up Dave and Central, bitch
For me, you gon’ need the Avengers, bitch
Go tell ’em that Joyner done sent you, bitch (Grrt, grrt, grrah!)

Nobody cares you was that nigga back in the days
You only popping in the UK
But we don’t play your shit in the states (Nobody cares, woah, woah)
Nobody cares how many women that you played (Yeah)
Or how many bullets that you sprayed
Or who you bringing out on stage (Nobody cares, grrat)
Nobody cares if you sat with all the GOATs
Or how many tags is on your coats
Or how many niggas that you know (We don’t care, uh, uh)
Nobody cares about how you and Drizzy are close
Or how you invented UK Rap, but still ain’t top ten on your Coast, nigga (Grrat, woo)

What made you think it’s a bright idea to swing at a nigga with stamina (Huh?)
You throwing jabs and punches
And swinging for nothing cause you never landed them (Bang)
I heard that, all of a sudden, you’re Muslim, fuck it, I’m ’bout to go ham on him (Word)
If you a demon, well, bitch, I’m the devil, I hope that you ready to dance with ’em (Grrat)
I know I probably took it somewhere that’s past the level of making it right (Baow, boom)
I hope that when you respond
The record is hard and maybe you’ll make it a fight (Huh, grrat, grrat, boom)
I bet as soon as you hear this shit
You’ll probably be thinking bout taking a flight (Ayy, boom)
I got fans in London, but after this song, they probably gon’ hate me for life (Life, yikes)
The pistol black, your face get lit
The clip is packed, so make a wish, I’ll go to your town, I’ll take a trip (Boom-boom)
I’ll wipe you down and take your pic
My money is blue, I’m way too rich (Boom-boom, boom)
I made too much like way too quick, your music sucks, you make me sick
Pass me the plate, I’m starving, what is this shit you starting? Blah-blah-blah
Send niggas up in your apartment, use your head as a target- grah-grah-grah
I ain’t that nigga to start, but I laugh at you and your garbage, ha-ha-ha
Go to Tottenham, I’m marching, that’s where I’ll leave your carcass, pow-pow-pow (Grrat!)

Nobody cares you was that nigga back in the days
You only popping in the UK
But we don’t play your shit in the states (Nobody cares, woah, woah)
Nobody cares how many women that you played (Yeah)
Or how many bullets that you sprayed
Or who you bringing out on stage (Nobody cares, grrat)
Nobody cares if you sat with all the GOATs
Or how many tags is on your coats
Or how many niggas that you know (We don’t care, uh, uh)
Nobody cares about how you and Drizzy are close
Or how you invented UK Rap, but still ain’t top ten on your Coast, nigga (Grrat)

The Brutal Truth of the Chorus: A Universal Takedown

While the verses are a specific, surgical strike on one person, the chorus is what makes this song a timeless anthem. This is where Joyner zooms out and speaks a truth that applies to everyone, from rappers to office workers. He lists all the things people use to build their image—their past successes, their connections, their material wealth—and throws it all in the trash.

Nobody cares you was that nigga back in the days
You only popping in the UK

But we don’t play your shit in the states (Nobody cares, woah, woah)
Nobody cares how many women that you played (Yeah)
Or how many bullets that you sprayed
Or who you bringing out on stage (Nobody cares, grrat)

He’s essentially building a checklist of hollow victories and then setting it on fire. The message is painfully clear: your past doesn’t give you a free pass today. Your reputation is only as good as your current actions and your present skills. He attacks all the typical pillars of a rapper’s ego:

  • Past Glory: Being “that nigga back in the days” means nothing now.
  • Social Status: The women you’ve been with or the tough-guy persona you project is meaningless.
  • Connections: Knowing famous people or industry giants doesn’t make you great.
  • Materialism: The expensive tags on your coats don’t add value to your talent.

The most pointed line is the one about Drake (Drizzy), a known collaborator of Skepta’s. By saying “nobody cares about how you and Drizzy are close,” Joyner is invalidating clout-by-association. He’s saying you have to stand on your own two feet, not on the shoulders of giants.

At its heart, this song is a powerful statement against complacency. It’s a reminder that respect isn’t a lifetime achievement award; it’s earned daily. Joyner argues that what truly matters is the skill, the hustle, and the work you’re putting in right now. Your legacy isn’t something you can cash in like a check; it’s something you have to actively maintain and build upon, or it will fade into irrelevance. The positive takeaway here is a fierce call for self-reliance and a focus on present-day excellence.

In the end, “NOBODY CARES” transcends being a simple diss track. It becomes a raw, unfiltered commentary on the nature of fame, relevance, and the relentless passage of time in a world that never stops moving. It’s a wake-up call, delivered with the subtlety of a sledgehammer. What’s your take on this track? Did you see it as just a brutal takedown, or do you connect with its deeper message about legacy and the need to constantly prove yourself? Let me know your thoughts!

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