Megan Thee Stallion – Movie [ft. Lil Durk]. Lyrics & Meaning: Directing Your Own Scene of Power and Pleasure

Ever feel like you’re the main character, the director, and the producer of your own life? That feeling when you know exactly what you want, you’re not afraid to ask for it, and you’ve got the power to make it happen? It’s a vibe of pure, unapologetic control. Well, Megan Thee Stallion and Lil Durk bottled up that exact energy and served it on a silver platter with their track “Movie.” This song is way more than just a club anthem; it’s a masterclass in setting your own terms. Let’s dive in and break down the script they’ve laid out for us.

More Than Just a Banger: Unpacking the Vibe of “Movie” by Megan and Lil Durk

From the moment the Tay Keith beat drops, you’re immediately transported. It’s not just a song; it’s an atmosphere. You can practically feel the low lights of a VIP section, the bass vibrating through the floor, and the clinking of expensive glasses. The entire track is built around this central metaphor: a sexual encounter, and the lifestyle surrounding it, is a film. But the most important part? Megan is the one in the director’s chair, calling all the shots.

The song isn’t about romance in the traditional sense. It’s about a transactional, mutually understood relationship where both parties know the score. It’s about pleasure, power, and luxury, all rolled into one high-energy package. The collaboration with Lil Durk is perfect because he doesn’t try to steal the spotlight; he complements Megan’s energy, playing the role of a co-star who is on the exact same page.

Lyrics: "Movie" by Megan Thee Stallion (ft. Lil Durk)

(Tay Keith, fuck these niggas up)
Yeah, yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah, yeah

Take a shot, then turn the phone and shit, give me that D’USSÉ dick
’42, ho, Azul make me do some crazy shit
Fucked him good, now he shakin’, call that nigga crazy legs
Mixin’ blue with the green hundreds, that shit look like crazy bread
That ain’t my man, but that’s my man, though, so watch your hands, ho
He tryna holler when you ain’t looking, just stop shakin’ his hand, bro
Told that nigga give me the money, don’t know what you playin’ for
This expensive, don’t be touchin’ on what you ain’t payin’ for
Eat my coochie, let’s make a movie, nigga
I’m talkin’ ASMR, let me hear you chew it, nigga
The only L I hold got that V right there next to it
My pussy tight, but I might let him add some stretch to it, ah

Tell her shake it, drop her friends off, and take her pants off
Tell him spend it, you ain’t got no money, keep your hands off
Chain one-eighty, it’s expensive, bitch, just keep your hands off
I’m a boss, I could buy the same thing my man bought
Shake that booty (Yeah, yeah)
Shake that booty, bitch (Shake that booty, bitch)
Shake that booty (Baow, baow)
Shake that booty, bitch (Baow, baow, baow-baow-baow)
Shake that booty (Yeah)
Shake that booty, bitch (Shake that booty, bitch)
Shake that booty, uh, uh (Shake that booty)
Shake that booty, bitch (Baow, baow, baow-baow-baow)
Shake that

Told the bitch to shake her ass, told me put some ones on it
Told the bitch to kiss my ring, just don’t put your tongue on it
Told the bitch bring a chair, I can put my guns on it
Told this bitch this belt Chanel so she know she can’t pull on it
When the DJ play you back to back, this shit feel good, don’t it?
Never trip about no politics, I know the hood want it
Order bottles, I don’t even drink, I know the hood want it
Got my Glock inside the VIP, I wish you would want it
Bounce your booty, uh, uh, make a movie, bitch
Shake your boobies, uh, I’m like a groupie, bitch
That lil’ bitch never turn down money, I don’t give a fuck who she with
The strip club got the best chicken wings, give me six

Tell her shake it, drop her friends off, and take her pants off
Tell him spend it, you ain’t got no money, keep your hands off
Chain one-eighty, it’s expensive, bitch, just keep your hands off
I’m a boss, I could buy the same thing my man bought (Ah)
Shake that booty (Yeah, yeah)
Shake that booty, bitch (Shake that booty, bitch)
Shake that booty (Shake that booty)
Shake that booty, bitch (Baow-baow-baow)
Shake that booty (Yeah)
Shake that booty, bitch (Shake that booty, bitch)
Shake that booty, uh, uh (Shake that booty)
Shake that booty, bitch (Ayy)
Shake that

All of that talking in circles, just save it (Yeah)
I don’t wanna flirt with you, nigga, just pay me (Huh?)
He gotta go if he ain’t comin’ with it
Me and a broke nigga ain’t getting entangled (Ah)
I want a Birkin-‘kin-‘kin-‘kin (‘Kin-‘kin)
Finna find out that SSN
Do a nigga how he think he finna do me
Get what I want, then I go missing (Ah)
He send a text, say he mad at me, why? (Why?)
He tryna FaceTime and you know I decline
I don’t call you when you be with them hoes
So don’t blow me up when you see I’m with mine (Baow)
Thinking you player, she gon’ air you out when she mad, hmm (Spazz, nigga)
And I don’t kiss you ’cause I know you eating ass, yeah (Ah, ah, ah)
You getting beside yourself, find yourself ‘fore I make you hide yourself
Who the fuck pumpin’ these bitches? Bitches is ass just like they hydrogel (Just like they hydrogel)
I see how your mama felt, finna go find my belt
Try pull my card and get dealt
Bad bitches get good gifts and that’s word to the ride I’m in, ah

Tell her shake it, drop her friends off, and take her pants off
Tell him spend it, you ain’t got no money, keep your hands off
Chain one-eighty, it’s expensive, bitch, just keep your hands off
I’m a boss, I could buy the same thing my man bought (Ah)
Shake that booty (Yeah, yeah)
Shake that booty, bitch (Shake that booty)
Shake that booty (Baow-baow-baow)
Shake that booty, bitch (Yeah)
Shake that booty (Shake that booty, bitch)
Shake that booty, bitch (Shake that booty)
Shake that booty, uh, uh (baow, baow, baow-baow-baow)
Shake that booty, bitch
Shake that booty

Yeah, yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah, yeah
Shake that booty, bitch
Shake that booty

The Director’s Cut: Megan’s Unfiltered Take on Power

Megan doesn’t waste a single second setting the scene and, more importantly, the rules. She’s not just a participant; she’s the one dictating the terms of engagement from the very first verse. It’s all about her confidence and financial independence.

Setting the Scene (And the Rules)

She kicks things off with a clear statement of what she wants, mixing luxury with raw desire. But it quickly becomes a lesson in boundaries. Just look at these lines:

Told that nigga give me the money, don’t know what you playin’ for

This expensive, don’t be touchin’ on what you ain’t payin’ for

This isn’t just about money; it’s a metaphor for respect and worth. She’s saying her time, her body, and her presence are valuable. If you want to be a part of her world, you have to meet her standards. It’s a bold declaration of self-worth, establishing that she’s not here to play games. This isn’t a negotiation; it’s a statement of fact.

Flipping the Script on Intimacy

The core of Megan’s “movie” concept comes through when she reclaims the narrative around female pleasure. She takes charge in a way that is both explicit and empowering.

Eat my coochie, let’s make a movie, nigga

I’m talkin’ ASMR, let me hear you chew it, nigga

This is so much more than just a provocative line. She’s directing the scene to focus entirely on her satisfaction. The reference to “ASMR” is genius—it’s visual, it’s auditory, and it puts her pleasure at the center of the experience. She’s not a passive object in this “movie”; she’s the star and the director, demanding a performance that meets her standards.

The Co-Star’s Perspective: Lil Durk Plays His Part

Lil Durk’s verse slides in seamlessly, reinforcing the themes Megan establishes. He isn’t trying to dominate the narrative; he’s adding to the opulent, powerful world they’re creating together. He understands the assignment completely. He boasts about his own status and wealth, showing that he’s on her level.

Told the bitch to kiss my ring, just don’t put your tongue on it

When the DJ play you back to back, this shit feel good, don’t it?

His lines are about respect, status, and enjoying the fruits of their labor. He acknowledges their shared success and power. There’s a sense of mutual understanding. He’s not intimidated by her boss status; he’s attracted to it because he’s a boss himself. This dynamic makes their chemistry on the track feel authentic and balanced.

Beyond the Beat: The Real Message of “Movie”

So, what’s the big takeaway from all this? If you strip away the explicit lyrics and the heavy bass, “Movie” is a powerful anthem about autonomy. It’s about knowing your value in every aspect of life, from the boardroom to the bedroom. Megan’s iconic line in the chorus says it all:

I’m a boss, I could buy the same thing my man bought

This is the crux of the song’s message. Her power isn’t derived from her partner; it’s her own. She is financially independent and fully capable. This removes any traditional power imbalance and allows her to engage in relationships on her own terms, for her own pleasure and benefit. It’s a celebration of female empowerment in its most unfiltered form.

The real beauty of “Movie” is its honesty. It portrays a modern dynamic where independence and mutual respect (even in a purely physical context) are key. The song teaches us that being in control of your narrative is the ultimate power move. It’s about writing your own script, choosing your co-stars wisely, and making sure you’re always the one yelling “cut!” when something doesn’t serve you.

What do you think? Is “Movie” just a great party track, or do you see these deeper layers of empowerment and control in the lyrics too? I’d love to hear your take on what this song means to you!

Related Post