$uicideboy$ – Carried Away [ft. Night Lovell]. Lyrics & Meaning

$uicideboy$ [ft. Night Lovell] – Carried Away: Trapped in a Cycle of Pain and Numbness

Ever feel like you’re playing a character in your own life? Like you’re putting on a brave face, maybe even cracking jokes and smiling, while on the inside, there’s a storm raging that nobody else can see? It’s that strange feeling of being disconnected from yourself, watching your own actions from a distance. If that sounds even vaguely familiar, then you’ve already felt a piece of the story being told in “$uicideboy$ – Carried Away”. This track isn’t just a song; it’s a raw, unfiltered look into a mind that’s been pushed to its absolute limit, and we’re about to unpack every layer of it.

Let’s Get Into the Gritty World of “$uicideboy$ [ft. Night Lovell] – Carried Away”

Right from the get-go, this track doesn’t mess around. It throws you straight into the deep end of a chaotic, yet strangely coherent, headspace. It’s a narrative woven by three different artists, each adding their own shade of darkness to the canvas. The song explores the crushing weight of past trauma, the use of drugs as a shield, and the hollow feeling that comes after. It’s a journey from feigned control to utter emotional chaos, and it’s brutally honest.

Ruby Da Cherry: The Mask of the “Bad Guy”

Ruby kicks things off by painting a picture of someone who has accepted their role as an outcast or a “sinner.” He presents this tough exterior, someone who’s playing the game of life on his own terms. But listen closer. It’s all a defense mechanism. He’s not really enjoying being the “bad guy”; he’s just leaning into the label because it’s easier than confronting the pain underneath.

I’m just a bad guy havin’ a good day
A fellow sinner? I didn’t catch your name
Always quicksaving the game, no I never pay to play, but I’ll gladly play if it means I get paid

He talks about “quicksaving the game,” which is a perfect gamer metaphor for trying to control an uncontrollable life. He’s constantly looking for an escape route. The vibe gets darker as he admits he “low-key crave[s]” the grave. It’s not just sadness; it’s a deep-seated exhaustion. But the line that hits like a punch to the gut is this one:

There was trauma in the titty milk, you wonder why I’m crazy?

Wow. That single line tells a whole story. It suggests his pain isn’t recent; it’s been with him since birth. It’s an inherited, ingrained part of his very being. It’s not an excuse; it’s a raw explanation for the chaos.

Scrim: The Generational Curse

If Ruby’s verse was about personal trauma, Scrim’s verse zooms out to show us where it comes from: generational trauma. He takes us to his roots in “Cancer Alley,” a real, heavily polluted industrial corridor in Louisiana. From the start, he paints a picture of a hopeless environment.

Out of the womb, full of motherfuckin’ dope
Cancer alley, what the fuck is there to hope?

His pain is a family affair. He describes heartbreaking scenes of addiction, with his father needing a dose and having “heart to hearts” with his mom while she’s doing coke. The family bond isn’t built on love, but on shared chemicals. It’s a horrifyingly vivid image. The internal struggle becomes external when he describes hearing a voice.

“Pull the trigger, boy, gone let it blow”
Where the voice comin’ from? I don’t know
“And I ain’t stop it ’til this motherfucking brains on the floor!”

This isn’t just lyrical edge; it’s a chilling depiction of suicidal ideation and intrusive thoughts. Yet, even in this darkness, there’s a flicker of purpose. He dedicates the verse to his fans in pain, showing a deep empathy that comes from having been in that same dark place. He’s a sinner, but he’s also a savior to some.

Night Lovell: The Cold, Detached Escape

Just when you think you’ve settled into the song’s tormented vibe, Night Lovell comes in and completely shifts the energy. His flow is colder, more detached, and almost nihilistic. If Ruby and Scrim are actively wrestling with their demons, Lovell sounds like he’s already given up the fight and just decided to float along in the numbness. He’s “carried away.”

Tryna find love, oh, can I?
Stuck in a box, oh shit
Tryna find a way through life, oh, can I?
But every time I take another hit

He’s aware he’s stuck, but his solution isn’t to fight his way out; it’s to take “another hit.” His focus shifts to superficial things: money, women, expensive cars. It’s a classic coping mechanism—when the inside is in chaos, you try to control the outside. He boasts about being untouchable, almost immortal, which feels less like genuine confidence and more like a shield built from apathy.

Carried away, bitch, I’m trippin’
Carried away ’cause I’m sinnin’ (Sinnin’)

He’s not just carried away by drugs, but by the whole lifestyle—the sin, the detachment, the escape from feeling anything real.

Lyric: "Carried Away" by $uicideboy$ (ft. Night Lovell)

(You did good, $lick)
(It’s a Smash)

[Ruby Da Cherry:] I’m just a bad guy havin’ a good day
A fellow sinner? I didn’t catch your name
Always quicksaving the game, no I never pay to play, but I’ll gladly play if it means I get paid
Lay me to rest, 59 vest on my chest and the rest you can throw it away
Leave your things behind, taking my time to unwind
Gotta keep an eye on the approaching grave
Which I low-key crave
Hopin’ you don’t know me, only show me love when I been choking
Proceed to the old me, quote me dosing up instead of coping
Say what I’m supposed to say, how far am I supposed to stray?
Until I feel strained enough to smoke the tray?
Yeah, yeah, uh
I’ma pull up with all kinda dirt, stained up on my face
You be pullin’ on your mama’s skirt, askin’ to be saved
I been feelin’ all kind of hurt since I was a baby
There was trauma in the titty milk, you wonder why I’m crazy?

[$LICK $LOTH:] I got that Xanax flowin’ through my bloodstream
Bought them opiates to share with the team
Got that ‘Tuss on me and I got the lean
Molly in the water, dance like Selene
I got this—

[Scrim:] Tell me what these motherfuckers know
Out of the womb, full of motherfuckin’ dope
Cancer alley, what the fuck is there to hope?
I’m beggin’ for my dad while he beggin’ for a dose
Heart to hearts, with my momma doin’ coke
Family bond made up of chemicals
Hide the chains, before they go and melt the gold
There’s pits in my soul, where I can’t even go
Dead dirt, where the seeds never grow
“Pull the trigger, boy, gone let it blow”
Where the voice comin’ from? I don’t know
“And I ain’t stop it ’til this motherfucking brains on the floor!”
Ayy, smokin’ like I’m gettin’ high for a livin’
Enzymes gettin’ high up on my liver
On a legendary run for a sinner
Underground Hans Zimmer, I’m a, yeah, pull up
I’ma die with my head up even when there’s no hope
Hands always with the set up so much, they think my fingers broke
This for all my fuckin’ people in pain, huggin’ fans, begging her to not cut herself again
They don’t fuckin’ understand what this shit come with
So please fuck off ’til the Xanax hit

[$LICK $LOTH:] I got that Xanax flowin’ through my bloodstream
Bought them opiates to share with the team
Got that ‘Tuss on me and I got the lean
Molly in the water, dance like Selene
I got this—

[Night Lovell:] Tryna find love, oh, can I?
Stuck in a box, oh shit
Tryna find a way through life, oh, can I?
But every time I take another hit
Send the fuckin’ money to the 003
Run through hoes in the 613 (Ah)
All-black G 63 (Ah)
You cannot take my key (Get up)
Y’all bitches ain’t my type
I ain’t tryna wife, but your ass, I like
Niggas know Lovell ’cause that boy got ties (Yeah)
Y’all know I’m never gon’ die
Made it halfway, but at least I tried
Money on my head, but I’m never ‘gon hide
Take it off, bitch, let me see
The pussy pink like Toosie
You cannot kill me, bwoy
When I speak, it’s murder
Better start wishin’, bwoy
Just like Timmy Turner
Leave your ass missin’, bwoy
Throw the fuckin’ burner
Carried away, bitch, I’m trippin’
Carried away ’cause I’m sinnin’ (Sinnin’)

[$LICK $LOTH:] I got that Xanax flowin’ through my bloodstream
Bought them opiates to share with the team
Got that ‘Tuss on me and I got the lean
Molly in the water, dance like Selene
I got that Xanax flowin’ through my bloodstream
Bought them opiates to share with the team
Got that ‘Tuss on me and I got the lean
Molly in the water, dance like Selene

The Recurring Hook: A Chemical Lullaby

Woven between these intense verses is $LICK $LOTH’s haunting, repetitive hook. It acts as the song’s heartbeat, or rather, its flatline. It’s the constant that fuels all this chaos.

I got that Xanax flowin’ through my bloodstream
Bought them opiates to share with the team
Got that ‘Tuss on me and I got the lean
Molly in the water, dance like Selene

This isn’t a celebration of drug use. It’s a somber statement of fact. It’s the self-medication that allows them to function, to “dance like Selene” (the moon goddess), moving gracefully and distantly through the night, completely numb to the pain they’ve just described in detail.

So, What’s the Real Message?

It’s easy to hear a song like this and dismiss it as just dark or negative. But that’s missing the point. The real message here is one of brutal honesty. It’s a powerful statement about how trauma, especially from a young age, can create a domino effect that leads to addiction and mental health struggles. This track gives a voice to a kind of pain that many people feel but can’t articulate. By laying their struggles bare, the artists create a space for understanding. It’s a reminder to be kinder, because you never know the battle someone is fighting behind their eyes.

What Are Your Final Thoughts?

“Carried Away” is more than a song; it’s a raw, emotional confession. It’s a deep dive into the cycle of hurt and the desperate, often self-destructive, ways people try to cope. It’s a testament to the fact that sometimes, the toughest-looking people are the ones who are hurting the most. But that’s just my take on it. What did you hear in the lyrics? Did a particular verse or line resonate with you? Let’s talk about it!

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